In this weeks Take 5 Magazine there is an Article about Anne Wood who plays Donna in in the Australian production of Mamma Mia
ABBA melodies inspired Anne to aim for the stars
Watching the TV pop show Countdown, Anne Wood, 12, and her sister Catherine, seven, gazed at ABBA's video clip for their latest song, Mamma Mia, with rapt attention.
"I love ABBA," enthused Anne.
"Me too," agreed Catherine.
It was 1975 and the Wood family lived in the small Victorian town of Kerang, near Swan Hill, on the NSW border. Once the show was over, the sisters raced to their room and pretended they were the legendary Swedish pop group. "I'm Frida" pronounced Anne. "And I'm Agnetha!" giggled Catherine as they launched into ABBA's hits, belting out all their favourite tunes using their hairbrushes as pretend microphones. They spent hours singing Mamma Mia, SOS and Waterloo.
It was the same every week, with ABBA echoing around the bedroom as the girls went into their familiar routine, the walls of their room covered in a sea of posters, a shrine to the popular Swedes.
Their 10-year-old brother, Ian, would walk past the doorway, rolling his eyes at his sisters' antics. Although both sisters loved music, sang in the school choir and learned the piano, they had very little contact with the arts because they lived 350 kilometres from Melbourne and they'd never even seen a musical. But they did have television and they adored their weekly dose of ABBA.
So when the famous group came to Melbourne on tour in 1977, Anne begged her parents to let them see the group. "Let us go to the concert please," she pleaded with her mum, Evelyn, and Dad, Bill. it's too far away, Anne," Bill decided.
She was disappointed but not surprised by his decision. After all, they only went to Melbourne once a year to visit relatives. "Oh, it would have been so great to see ABBA," she sighed. 'They're my favourite band in the world. I'd love to see them sing my favourite song, Super Trouper. it has so many fun harmonies."
"Super Trouper, lights are going to find me," Anne began to sing, as Catherine came in with, "Shining like a star."
Over the next few years, Anne and Catherine continued their ABBA sing-alongs and their involvement in the school choir. People often complimented Anne on her lovely soprano voice, but it didn't occur to her to take up an artistic career. She had never even met a performer or singer. Such people rarely came to town. Everyone Anne knew had practical jobs. She wanted to be an environmentalist,
while Catherine was keen on being a vet.
It wasn't until Anne began her science degree at the University of Melbourne that she actually went to her first musical, La Cage Aux Folles, which she loved. Anne still enjoyed singing so much that one day her university friend, Vicky Smith, 18, suggested that she audition for the Victorian College of the Arts' Opera Studio.
"I couldn't do that!" Anne answered. "I dare you" Vicky replied.
So Anne took up the dare and was amazed when she was accepted into the school. Over the next four years she completed both her science degree and her music degree by studying part-time.
Three years later, Catherine came to live with Anne in her Fitzroy flat, having begun a Bachelor of Education in Music at the same University.
"I want to be a musician," she told Anne. It seemed Anne's involvement with the VCA's Opera Studio had encourage her to also choose a musical career. Anne loved having her younger sister living with her again and every time the took the long drive home to see their parents, they would slip on an ABBA tape and sing along for hours.
Over the next seven years, Anne's singing career really took off. After a stint with the Victorian State Opera School's company, she joined the cast of the popular musical Cats. Anne knew she had found her chosen career the first time she appeared on stage in the musical. "it just feels like home," she thought.
The next six years saw her performing in Germany in Cats and then appearing on London's West End in leading roles in the musicals A Swell Party, Aspects Of Love, Barnum and Crazy For You. But even though she was a West End star, it was just not the same without her sister. But Catherine had, established herself as a serious jazz and fusion musician back in Melbourne.
In 1995, Anne went to see the film Muriel's Wedding and laughed at Muriel (Toni Collette) and her friend Rhonda (Rachel Griffiths) pretending to be Agnetha and Frida. "Just like Catherine and I used to," she thought in the dark cinema. "I wish Catherine were here now."
Then in 1998, homesickness drew Anne back to Melbourne, where she and her sister lived together once again and they enjoyed thriving musical careers.
The following year, Anne heard through her pals in London that the ABBA revival musical, Mamma Mia! written and composed by former ABBA group members Björn Ulvaeus and Benny Andersson, was going to be coming to Australia. "it would be fantastic to be in that show," she told Catherine.
Six months later Catherine called with great news. "They've asked me to be a keyboard player in Mamma Mia!' she said. "Congratulations," Anne said, thrilled. They'd always been supportive of each other. "Now I just have to get a part!"
Anne was already involved in the gruelling audition process for the lead of Donna, a single mum and avid ABBA fan. Four months later, she gave her final audition before Björn himself, who had flown to Melbourne for the final casting.
"It's a dream come true. If only he knew that ABBA started off my performing career!" Anne thought, giving it her all.
Anne was overjoyed when her agent informed her a week later that she had won the part. And, of course, the first person she told was Catherine.
But the lovely surprises kept coming. Anne got the opportunity to tell Björn during preliminary rehearsals about how much ABBA had meant to her and her sister in rural Australia.
"I never cease to be absolutely amazed at the influence that ABBA's music had on people," he told her modestly.
Then, in week one of rehearsals, the first song the cast rehearsed was Super Trouper. "Super Trouper, lights are going to find you ... " Anne started to sing. As the other voices swelled around her on stage, tears of happiness streamed down her face as she recalled how many times she and Catherine had sung those very lyrics as girls in their country room.
'What's wrong?" asked another singer.
"It's hard to explain," Anne laughed. only her sister could really understand how special this moment was for her. When the orchestra started rehearsals a week later, Anne would often smile down at Catherine in the orchestra pit.
"Life is really full of unexpected turns," she thought. "Who'd have thought when we were growing up in Kerang that we'd perform in an ABBA musical together?'
The ultimate childhood fantasy was realised before the pre-premiere show, when Björn met both sisters backstage and congratulated them on their work.
Now a year later, Anne, 38, is appearing in Mamma Mia! in Sydney, and the show looks like it might run forever. Catherine, 33, has just started touring the world with Darren Hayes, formerly of Savage Garden.
"Appearing in Mamma Mia! with Catherine was so special for me," said Anne. "it seems ABBA has never been to far from our lives! And I'm looking forward to working with my sister again when she returns to Australia. Catherine and I are living proof that little girls can grow up to fulfill all their dreams. And all I can say to ABBA is thank you for the music!
Thanks to ABBAMAILer Mark Creek, Newcastle, Australia