February 28, 2004

TICKETS ANNOUNCED FOR ARRIVAL SHOWS!

The world's best ABBA cover band are coming to Sydney direct from Stockholm, Sweden!

ARRIVAL - the band that Björn & Benny gave permission to record and release "Just A Notion" are playing only 2 Sydney shows.

Sat 27th March 8pm, Revesby
Workers Club, Brett St Revesby, (Opposite Revesby Railway Station)
Telephone 02 9772 2100 for bookings
Price is $35 all inclusive

Sunday 28th March, St. Marys Leagues Club
Boronia Rd. St. Marys 7.30pm(just a 5 minute walk from St. Mary's railway station)
Telephone 02 9673 3333 for bookings
Price is: $35 all inclusive

ABBAMAIL staff have seen ARRIVAL perform in Stockholm and it was like ABBA being on stage again - the costumes, the choreography, the music - they don't send up ABBA, they *ARE* ABBA!

Book your tickets now for the only 2 ARRIVAL shows in Australia that are open to the public!!

See our ARRIVAL IN SYDNEY PAGE - click on the website link above!

Graeme Read
ABBAMAIL Administration


AGNETHA ARTICLE IN MELBOURNE'S HERALD-SUN

ABBA super trouper returns.

Stockholm- Since ABBA's glory days, Agnetha Fältskog has led a reclusive life.

The band split in 1983, and after a string of unsuccessful love affairs and a second failed marriage, the Swedish bombshell retreated to a tiny island near Stockholm.

She lives there alone, and receives psychiatric counselling for phobias including a fear of heights, crowds, flying, driving and open spaces. But almost two decades away from the music industry and the trappings of
fame is apparently enough for the 53 year old singer.

Agnetha's is releasing her first album for 17 years- with a sultry new image. Called "My Colouring Book", the CD, featuring 14 covers of her "favourite and most inspirational" artists, will be released in April by Warner Music. She will also release a single, If I Thought You'd Ever Change Your Mind, originally a hit for Cilla Black in 1969.

The comeback coincided with the 30th anniversary of ABBA’s victory at the Eurovision song contest in April 1974. Their performance of waterloo began a career that spanned most of the decade. ABBA sold 350 million albums worldwide, and at one point became Sweden’s most successful export after Volvo. In the UK alone, they had 23 hits-including eight number ones-between 1974 and 1983.

A Warner spokesman said: "Agnetha's new CD would be one of our biggest releases this year". Last year she decided she was ready to do an album of covers, and we were delighted to release it.

Money is believed to be one reason behind Agnetha's return to the spotlight. Though her personal fortune after leaving the band was thought to be $9.7 million, figures recently released in Sweden suggest she made just $72,000 in 2002.

Agnetha split from her first husband, ABBA's Bjorn Ulvaeus, in 1981 after having two children, Linda now 31 and Christian,25.

What ever happened to...

Frida
Anni-Frid Lyngstad 56, lives in Switzerland.
Her last album was in 1996.She spends most of her time campaigning for environmental causes.
Her second husband, a German count, died two years ago.

Bjorn.
Bjorn Ulvaeus, 58, lives in Stockholm with second wife Lena and two daughters, 18 and 22.
They moved to Britain in 1984 but returned eight years later so Bjorn could work again with best friend Benny.

Benny
Benny Andersson,57, lives with his wife and son on an island near Stockholm. Benny and Bjorn wrote the musicals Chess (with Sir Tim Rice) and Mamma Mia! Benny also runs a record label, Mono, an a small hotel.

===================

There are five pictures with the article. The head over the shoulder which I think is going to be the picture they use most often. The other four are from waterloo, actually one cut into four.

I wish newspapers could get their facts straight!

Thanks to ABBAMAILer Carolyn Styles, Melbourne, Australia

CHARTS - WEEK 8

A bit to report this week.
GERMANY: ABBA GOLD is down 7 to #89.
NETHERLANDS: The Definitive Collection is down 6 to #67
AUSTRALIA: GOLD DVD is back in at #38, The Definitive Collection DVD is back in at #40

NB: The German charts include DVDs along with the albums, if a title is DVD
only it states this, however, the charts have not stated that Gold or The
Definitive Collection are DVD, so I guess it must be a combination of DVD
and CD sales, but this is only an educated guess.

Thanks to ABBAMAILer Dean Scapolo, Newlands, Wellington, New Zealand

BUBI'S ABBA BOOK

Wolfgang Heilemann's coffee-table photo book is to be released in April. It is said to be 600 pages with 1000 photos!!! Can't wait for this :-)

Fabulous new German ABBA picture book

Here's the very long link:
http://www.schwarzkopf-schwarzkopf.de/assets/s2dmain.html?http://www.schwarzkopf-schwarzkopf.de/musik/2004/


Thanks to ABBAMAILer Mark Walton, Chester, UK

BENNY ARTICLE ON www.mingel.se

ABBA-Benny partied at Sture

"Even dinosaurs mingle", is as a common expression.

Sturecompagniet showed last Saturday that there is some truth in that
statement.

In the late hour, among drunk youths, ABBA-Benny all of a sudden showed up there. Witnesses says that he was kindness itself. He shook hands with the guards, talked gladly and "overrefreshed" party people and had one or
more beers.

Both Lena Philipson (sang in the "Önskekören"-choir, Robin's remark) and the
club host Christos Neo was quickly there to say hello and shake hands. All
too late, late Benny left the place. But not before he managed to shake hands with the guards one more time.

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden (also Paul Carter, London, UK)

ABBA A-Z IN "THE SUN" UK NEWSPAPER



Face the music ... ABBA as they would look today
(left to right) Björn, Agnetha, Anni-Frid and Benny

WE told you yesterday that ABBA singer Agnetha Fältskog is making a comeback at 53.

Here TIM SPANTON lists all you need to know about the Swedish supergroup.

ABBA were named from the initials of the band’s members — Agnetha Fältskog, Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad. ABBA is also the name of a major Swedish fish cannery.

Björn Again are the best known of the ABBA tribute bands. It is estimated that there are always at least 100 such outfits playing around the world at any one time — more than for any other group.

Five-piece chart-toppers Steps were described by their manager Pete Waterman as: “ABBA on speed.”

Chess the musical featured tunes by Björn and Benny with lyrics by Tim Rice.

The show included the 1985 No1 I Know Him So Well, sung by Elaine Paige and Barbara Dickson.

Divorce stalked ABBA. Agnetha and Björn’s marriage ended in 1979. Anni-Frid and Benny divorced two years later.

Eurovision made ABBA. They won the 18th song contest in 1974, held in Brighton.

It was the first victory by a Scandinavian act. Also-rans included Olivia Newton-John, who sang Long Live Love for the UK.

Fernando and Dancing Queen were ABBA’s longest-lasting singles in the charts, each spending 15 weeks there in 1976.

Green, Green Grass Of Home, Tom Jones’s 1966 UK and US No 1, was recorded with Swedish lyrics by Björn when he was a member of the pre-ABBA Hootenanny Singers.

Head Over Heels, which peaked at No 25 in 1982, broke a run of 18 singles that got into the top seven.

I Do, I Do, I Do, I Do, I Do was ABBA’s least successful single. It peaked at No38 and stayed in the charts for only six weeks.

Jesus Christ Superstar. Agnetha played Mary Magdalene in the controversial musical in the Seventies.

Knowing Me, Knowing You was chosen by comic Steve Coogan as the title of his spoof Alan Partridge chat show, which switched to TV in 1995 three years after its debut on Radio 4.

Lasse Hallström directed the 1977 documentary ABBA: The Movie and the 2002 video ABBA: The Definitive Collection.

Mamma Mia! the musical based on ABBA, premiered at London’s Prince Edward Theatre on April 6, 1999. It has 22 ABBA songs and has been seen worldwide by more than 10million people.

Every London performance has sold out with takings exceeding £60million.

Tickets are already being sold for performances NEXT year. ABBA hits also featured in two 1994 Australian movies, the romantic comedy Muriel’s Wedding, starring Toni Collette, Bill Hunter and Rachel Griffiths, and the transvestite road movie The Adventures Of Priscilla, Queen Of The Desert.

No1s. ABBA had nine British chart-topping singles from 1974 to 1980: Waterloo, Mamma Mia, Fernando, Dancing Queen, Knowing Me, Knowing You, The Name Of The Game, Take A Chance On Me, The Winner Takes It All and Super Trouper.

Oil. At the height of ABBA frenzy in the late Seventies, sales in communist eastern Europe were so high the group had to accept payments in oil because countries such as Poland were running out of foreign exchange.

Princess and countess are titles Anni-Frid could use after her 1992 marriage to German Prince Ruzzo Reuss von Plauen, making her Anni-Frid Prinzessin Reuss Gräfin von Plauen.

They lived in his Swiss castle until Ruzzo died from cancer in 1999.

Queen. Dancing Queen is ABBA’s only US No1. The band have many gay fans.

Record sales. More than 3,300 ABBA CDs are sold around the world EVERY DAY.

They have sold around 400million CDs and records in the 30 years since Waterloo.

ABBA were such a hit in Sweden that a special rule was brought in restricting each release to ten weeks at No1.

All four band members are millionaires many times over.

Split. ABBA broke up in 1982, three years after being named by Guinness World Records as the best-selling band of all time.

Tyskbarn — “German child” — was the nickname given to Anni-Frid as a youngster in her native Norway because she was the love-child of a German army officer.

She was sent to Sweden to live with her granny to escape the disgrace.

Uncool. It’s hard to believe now but ABBA were the ultimate in kitsch in the Seventies because they were unfairly seen as a band put together just for the naff Eurovision.

Votes. ABBA’s Ring Ring was passed over by a panel of experts picking Sweden’s entry for the 1973 Eurovision.

An outcry forced a change to public voting. ABBA won the following year with Waterloo, which they took to the final in Brighton.

Volvo was the only Swedish export to outsell ABBA in the late Seventies.

Waterloo, which started it all in 1974, is the only ABBA hit NOT included in the musical Mamma Mia! - although it is usually played as an encore.

Xylophones are played in the introduction to the song Mamma Mia.

Yodelling featured heavily on ABBA’s first ever record, People Need Love, which was a minor hit in Germany and Holland in 1972.

Zodiac. Agnetha always reads her horoscope. Spiritual guru Deepak Chopra, author of The Spontaneous Fulfillment Of Desire and Golf For Enlightenment, has told Agnetha her inability to commit to men is because her star sign is Aries.

Thanks to ABBAMAILers Robin Andersson in Stockholm, Sweden and Kevin Fletcher in West Midlands, UK

AGNETHA ON PARKINSON - UPDATE

An update on the Parkinson show - a copy below of an e-mail I received from the BBC today.

"Dear Martin

Thank you for your e-mail regarding 'Parkinson'.

I can tell you that the programme's production team is still in talks with Agnetha Faltskog's record company and so we are unable to confirm a transmission date for her appearance on the programme".

Thanks to ABBAMAILer Martin Lower, Bristol, UK

ABBA IN UK "SUN" NEWSPAPER

The Super Troupers in 2004

BJORN
HE collaborated with Benny on writing Chess, the musical, in 1983.
The album was released in 1984 and the stage show appeared in 1986.
The pair worked together again on the musical Mamma Mia!
Björn, 58, lives in the Swedish capital Stockholm with his second wife, Lena, and their children Emma, 22, and Anna, 18.

AGNETHA
SHE had two children with Björn — Linda, now 31, and Christian, 25. Agnetha wed surgeon Tomas Sonnenfeld in 1990 but they divorced two years later.
She has released three solo albums — Wrap Your Arms Around Me (1983), Eyes Of A Woman (1985) and I Stand Alone (1987).
Uncomfortable with fame, she retreated to an island near Stockholm.

ANNI-FRID
SHE released two solo albums – Something’s Going On, produced by Phil Collins in 1982, and Shine in 1984.
Both flopped.
Anni-Frid, 56, has lived alone in Switzerland since the death of her second husband Prince Ruzzo Reuss.
Something of a recluse, she campaigns on environmental issues.

BENNY
HE shares Djurgården, a woody island near Stockholm, with his second wife Mona Nörklit and their son Ludvig, 21.
Benny has a horseracing stable called Chess-racing.
He formed an orchestra in 2001 and has topped the Swedish album charts.
Benny is still close pals with his former writing partner Björn.

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

FEMALE ABBA star to be Bjorn again

FEMALE Abba star to be Bjorn again
Norfolk Eastern Daily Press - Norfolk,England,UK

Female Abba star to be Bjorn again
LORNA MARSH

February 27, 2004 06:30

She might not be a dancing queen of 17 anymore but Agnetha Faltskog, the "blonde recluse" from Abba, is about to be Bjorn again.

Lorna Marsh looks at whether the public will still take a chance on her.

She is the one everyone remembers.

Back at the height of Abba's success little girls armed with hairbrushes for microphones would fight over who was going to be Agnetha.

Big boys could only dream of fighting over her.

But it turned out that blondes didn't have more fun and Agnetha Faltskog endured a failed album before going into hiding.

The band broke up in 1983 and since 1987, the year her doomed solo album was released, Agnetha has been living a Garbo-like existence on a remote Swedish island.

Aside from a 1996 autobiography detailing the pain behind the last successful years of the band, little has been heard of the flaxen-haired original Rear of the Year.

Now she is ready to take on the blinding spotlights again despite a reported catalogue of apparently incapacitating phobias including crowds, open spaces, flying, driving and heights.

Insiders speculate that the only thing that could have made her decide to face the trappings of fame again at the age of 53 is the subject of that Abba classic ­ money.

With her celebrity years earning her an estimated annual income now of just £30,000 the singer is releasing a version of If I Thought You'd Ever Change Your Mind ­ originally a hit for Cilla Black ­ on April 5 followed by an album of covers two weeks later.

The big question is whether she will succeed.

While 17 years away from the celebrity circuit could be seen as a disadvantage there is no doubt it has helped fire a huge amount of public and media interest.

Looking as stunning as she ever did can not harm her chances either but the comeback game is notoriously unpredictable.

While Peter Andre is the subject of screaming girl fans once again and Duran Duran play to packed audiences of 30-somethings, attempts by former Take That singer Gary Barlow and assorted Spice Girls to revitalise their careers have spectacularly flopped.

Dr John Street, a UEA lecturer and editor of the Journal of Popular Music, said he felt there were two things Ms Faltskog needed to have some chance of success ­ both of which she lacked.

"There is no obvious peg like the one Peter Andre had with I'm a Celebrity re-establishing her as a media starlet.

"And people remember Abba, not the voice of any single woman. Tom Jones managed to re-invent himself but that was because he was building on something that was already there.

"When individuals who were previously in bands set up on their own and have no back catalogue to exploit that is generally the reason why they are unsuccessful," said Dr Street.

He said successful re-inventions like the one Kylie Minogue managed relied heavily on good quality raw material.

"If Agnetha could team up with some hot rapper that would help her ­ or if Cathy Dennis writes her a song."

But with the lack of original material ­ the album is predicted to be covers of songs she enjoyed in her youth ­ Dr Street said it is essential her voice is strong, citing Jamie Cullum's success with covers.

Norfolk music researcher writer and historian Kingsley Abbott said Agnetha also needs to be prepared to tour.

"This might prove difficult because of her inclination to be reclusive but she might have a partner pushing her to do this for her own benefit, as happened with Brian Wilson."

The former Beach Boy sunk into depression while his weight ballooned but this week received standing ovations for his concerts to promote his Smile album after pulling himself together with the help of his second wife.

"If a similar thing is to happen she needs a good band to support her. It takes the pressure off and puts a gloss over everything."

Dr Street said: "No-one can predict this business, if any of us could we would be making a profit out of it."

Only time will tell if the winner does indeed take it all.

Where are they now?

Frida:
Anni-Frid Lyngstad, 56, married a German count who died two years ago. She lives in Switzerland and last recorded an album in 1996. She is an avid environmental campaigner.

Bjorn:
Bjorn Ulvaeus, Agnetha's former husband, moved to Britain in 1984 with his second wife and two children Anna, 18, and Emma, 22.

But the 58-year-old returned to Stockholm in 1992 to work with Benny Andersson.

The pair have written musicals including Chess, with Tim Rice, and Mamma Mia!

Benny:
At 57 Benny Andersson now has a string of successful ventures behind him. As well as his ongoing collaboration with Bjorn he runs his own record label Mono and has just opened a hotel.

He lives with his wife and son on an island near Stockholm.

Thanks to ABBAMAILer James O'Brien, East Perth, Western Australia

NEWS.COM.AU/COURIER MAIL AGNETHA STORY

Reclusive ABBA star sings again
By Laura Benjamin
February 27, 2004

ABBA'S reclusive blonde Agnetha Faltskog has re-emerged with a sultry new image and her first album for 17 years.

The Swedish superstar has kept a low profile since the band split in 1983, retreating to a tiny island near Stockholm after a string of unsuccessful love affairs and a second failed marriage.

She lives there alone and regularly receives psychiatric counselling for a number of phobias including a fear of heights, crowds, flying, driving and open spaces.

But almost two decades away from the music industry and the trappings of fame is apparently enough for the 53-year-old singer.

Her new album is called My Colouring Book, the CD features 14 covers of her "favourite and most inspirational" artists and will be released in April by Warner Music.

The comeback coincides with the 30th anniversary of ABBA's victory at the Eurovision Song Contest in April, 1974. Their performance of Waterloo sparked a career which spanned most of the next decade.

ABBA sold 350 million albums worldwide and, at one point, became Sweden's most successful export after Volvo.

Agnetha split from her first husband, ABBA's Bjorn Ulvaeus, in 1981 after having two children, Linda, now 31, and Christian, 25.

A record industry source said she had agreed to do interviews to promote the CD.

The Courier-Mail

Thanks to ABBAMAILer James O'Brien, East Perth, Western Australia

AGNETHA QUESTION IN BBC QUIZ

Agnetha featured in one of the questions on a weekly quiz on the BBC site:

Question 5

Whose activities have been hailed as the "return of a living legend"?
A: Peter "Mysterious Girl" Andre, back in the charts
B: Riley "granddaughter of Elvis" Keough, on the Milan catwalk
C: Agnetha "Abba" Faltskog, with a new record

The answer was C

Agnetha is to release an album of covers, her first after years as a recluse.
Peter has re-released his one hit after his I'm A Celebrity stint.
Lisa-Marie's little girl has made her catwalk debut at age 14.

Thanks to ABBAMAILer Sarah Marchant, Kent, UK

SERTAB TO SING ABBA

According to a short note in Aftonbladet today SVT are negotiating with Sertab, last year's Eurovision song contest winner about her singing some sort of medley of ABBA-songs at Melodifestivalen's final.

- Nothing is clear yet, says the project leader to Aftonbladet.

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

Thanks to ABBAMAILer

MAMMA MIA! UK ANNIVERSARY

Having been a regular ABBAMAIL reader for many years now, I thought I would respond to your query re Mamma Mia!

Firstly I should point out that it's actually 6th April that has been withdrawn from sale, not 5th April. As you know, this is not only the 30th Anniversary of Abba winning Eurovision, but is also the 5th Anniversary of Mamma Mia! opening at the Prince Edward Theatre.

As a result, the performance has been withdrawn from sale by the producers while they finalise plans as to how they will mark the occasion. At the moment, we have not been advised of any of the details, although it is hoped that we shall be putting some seats back on sale some time soon. The time of the performance will also be 6.30pm instead of the usual 7.30pm.

Thanks to Neil Stewart, Box Office Manager, Prince Edward Theatre

AGNETHA IN DAILY EXPRESS

The UK newspaper The Express covered Agnethas comeback on Friday as part of a feature on "Comeback Queens" others featured are: Cher, Barbara Windsor, Joanna Lumley and Kylie Minogue.

Thanks to ABBAMAILer Gareth Thomas, Cymru, Wales, UK

AUSSIE MAMMA MIA! GOES TO HONG KONG

An article from the Chinese business paper, "The Standard".

How Abba won their Waterloo
Dennis Eng

The hit musical Mamma Mia! could very well have been called My Big Abba Greek Wedding: throngs of twenty-somethings too young to remember the 1970s, baby boomers clad in their spandex outfits and elderly women on their walking sticks, all gyrating to the songs of Abba.

And that's just the audience.

`It's a clever formula. The musical ends with a megamix of Abba hits, including Waterloo, and you see 80-year-old women being helped up by the ushers to dance in the aisles,'' said Darren Yap, resident director of the Australian production that is coming to Hong Kong on June 9.

That formula, which marries 22 Abba songs with the tale of a girl growing up on a tiny Greek isle and in search of the identity of her father on the eve of her wedding, has helped Mamma Mia! gross an estimated US$500 million (HK$3.9 billion) globally and more than 100 million (HK$1.45 billion) in London alone.

The musical has also expanded its international reach. There are now 10 productions worldwide: five in North America, one each in Japan, Germany, Holland and London, where it has played to three million people since premiering five years ago, as well as an Australasian tour. In Australia, 1.8 million people have seen the musical to date, or about one-tenth of the population. Plans are afoot to add six new productions, including Korean and Swedish-language tours and a second German production.

This is mindboggling considering that Abba's Bjorn Ulvaeus and Benny Andersson, who penned many of the songs, were opposed to the musical when Mamma Mia! producer Judy Craymer first broached the idea in 1987.

"It took a long time, 10 years, for Judy Craymer to convince Bjorn and Benny to turn the songs into a musical. I think they didn't believe it could be done,'' Louise Withers, associate producer of the Australian tour, said.

"They have been offered a lot of money to get back together for a reunion tour but I guess they didn't want to look like 50-year-olds in spandex.''

But Craymer, who hails from Mill Hill in North London, knew what she was doing. A long-time fan of Abba, Craymer persisted and eventually persuaded the two sceptics to let her hire writer Catherine Johnson and director Phyllida Lloyd to create Mamma Mia!

"Both Bjorn and Benny had active opinions about what songs should be included and their arrangement,'' 36-year-old Australian-born Chinese Yap said.

This resulted in some glaring absences in the song list, including Ring Ring and Fernando, Abba's 1976 hit, which has echoes of anti-war sentiment.

"It was a big risk not to have this song included,'' Yap added. "But] Mamma Mia! is a songbook musical and some songs were simply not appropriate to the characters.''

Changes to some of the lyrics, albeit minor, were also made to ensure that the soundtrack complements the story.

According to New Zealand-born musical director Stephen Amos, the line "I'm a bashful child'' in the number The Name of the Game was switched to "I'm a curious child'' to better reflect the character of Sophie, the daughter seeking her father. "Over the last five years, purists have come to realise that this is not a musical about Abba. They obviously know the songs well but, even with the changes, they sing along and just be swept up in the moment,'' Amos, who turns 33 this year, said.

"Likewise, a lot of people in the audience think the lyrics in the song Our Last Summer are customised because it refers to Harry, a character in the musical, by name. But the words have not been changed. That's how the song was written originally.''

Mamma Mia! also features some of the group's lesser known works, such as Slipping Through My Fingers, released in 1981. Ulvaeus penned the lyrics after watching his now 30-year-old daughter, Linda, leave home for the first time to attend school, Amos said.

Another rarity, Summer Night City, was initially slated as the musical's opening number but was scrapped in favour of the more mellow I Have A Dream.

"Summer Night City is a noisy rock number that involves the whole company but it didn't work. As a traditional opening number, the song was not the right way to get into the story. The overture of I Have A Dream transitions with a softer and more intimate moment as the musical opens with Sophie posting three letters to her three possible dads,'' Amos said.

Although the plot of Mamma Mia! is neither meant to be deep nor thought-provoking and audiences invariably leave with a smile on their faces, much of the songwriting stems from painful episodes in the group's history. Abba, arguably Sweden's biggest pop export, stopped recording after 10 years in 1982 as the group's two married couples, Agnetha Faltskog and Ulvaeus, and Andersson and Anni-Frid Lyngstad, split and went their separate ways. The two female members went on to less than stellar solo careers while Ulvaeus and Andersson wrote musicals, most notably the Cold War-themed Chess, with Craymer as producer, and Mamma Mia!

On May 23, 2000, Ulvaeus, Andersson and Lyngstad made a special appearance at the musical's North American premiere at the Royal Alexandra Theatre in Toronto, Canada. Mamma Mia! went on to break box-office records in the United States when it premiered at the Orpheum Theatre in San Francisco in November of that year and, 11 months later, at Broadway's Winter Garden Theatre, despite the September 11 terrorist attacks.

"After pretending for so long that it couldn't be done, I guess they were humbled by the success,'' Withers said.

Thanks to ABBAMAILer James O'Brien, East Perth, Western Australia

HEP STARS MOVIE STORY ON SVT.SE

HEP STARS IN AFRICA

The Beatles did it. The Hep Stars tried.

In the middle of the 60s, pop didn't just conquer the music world.

With the help of bright and lively scripts, pop stars could become actors. Or at least get to play their songs on film.

When the Beatles caused teen hysteria in cinemas with their film "A Hard Day's Night", Sweden's then hottest band wanted to do better.

During the winter and spring of 1967, the Hep Stars went to where no pop filmmaker had dared go before. To Africa.

Amongst rhinoceroses, jackals and hyenas, Svenne Hedlund, Benny Andersson and the others would make their dream of a big Swedish pop film a reality.

But coming home from the completed filming, the big dreams didn't happen, as is often the case.

Financial problems, lost inspiration and technical troubles meant that "Hep Stars In Africa" ground to a halt and gathered dust in an archive.

Until now. Musikbyrån [Music Bureau, a Swedish TV show - Grant's note] has gathered together the band members and actors to talk about the film with one of Sweden's first and biggest pop bands.

Translated by Grant Whittingham, Sydney, Australia

Thanks to ABBAMAILer David Pearson

TOP 50 POP STAR COUNTDOWN

This week on Channel 4 they did the Top 50 Pop Star countdown. This time it was based entirely on UK single sales. The result was something of a surprise to me. I thought ABBA would make Top 20 but they actually came in at No.8 with, I think (from memory) 9 or 10 million UK single sales.

The Top Eight (because I can't remember before they came on!):

8 - ABBA
7 - Queen
6 - Michael Jackson
5 - Elton John
4 - Madonna
3 - Elvis Presley
2 - The Beatles
1 - Cliff Richard (over 19 million UK single sales)

Carl Magnus Palm gave a little interview along with two ABBA backing musicians - Ulf and Mats. Björn also said a few words but I'm sure it's old footage of him sitting in a Mamma Mia! dressing room.

Thanks to ABBAMAILer Sara Barnes, UK

DON'T TAKE A CHANCE ON 'MIA'

Don't take a chance on 'Mia'
ABBA hits are lost in translation from disco to Broadway.

When you purchase a ticket for a Broadway musical, you're certainly not
expecting Shakespeare. Frankly, you just want to be entertained. But "Mamma
Mia's" tired mix of song and dance fails to do even that.

The show's creators started off with a decent premise -- elementary, but
decent: A young woman about to be married wants the father she never knew to give her away and manages to narrow his identity down to three men who her free-spirited mom was dating at about the time she was conceived. But even with some of the greatest pop songs of all time, courtesy of '70s Swedes
ABBA, the show still manages to bore the socks off any theatergoer with half
a brain.

It's sweet but dumb, dumb, dumb.

It's all downhill from the very moment young Sophie opens her mouth in the
opening scene. Jokes are predictable, dialogue is too cheesy and cliché for
words, direction is absolutely high school, choreography is weak and what
these people can do to an ABBA song ... really, it's criminal, I tell you.

ABBA's music suffers terribly in the translation from disco to Broadway.
Straightforward pop songs such as "Chiquitita" and "Waterloo" are delivered
with over-the-top, opera-style inflections, stripping songwriters Benny
Andersson and Bjorn Ulvaeus' uplifting '70s anthems of their catchy pop edge
and reducing them to bad showtunes.

To the cast's credit, they're probably great singers. But "Dancing Queen"
ends up sounding like a sappy number from "Les Miz" instead of the
boogie-down discotheque classic that it is.

It's even impossible to judge whether the cast can really act because
Catherine Johnson, who wrote the book on which "Mamma Mia!" is based, didn't give the actors much to work with. I mean, even Meryl Streep couldn't do anything with this stinker of a script. Some of the scenes and dialogue are
like a cross between a Lifetime movie and an after-school special.

And I like a happy ending as much as the next guy but, please, this is
downright offensive. Happy young couple walks hand-in-hand into the sunset
surrounded in a shroud of fog. Gag me!

In short, if "Mamma Mia!" were a movie, I'd tell you to wait for the video.
But since it's not, I'll just tell you to save your money.

Thanks to ABBAMAILer Dominic 'Ice' Wallis, London, UK

MAMMA MIA! STORY IN IRISH TIMES

Found this today. This story ran yesterday in The Irish Times.

SECTION: CITY EDITION; LIFE FEATURES; Pg. 13

HEADLINE: Mamma Mia, here it goes again

It's personality rather than a polished performance that impresses the judges at the auditions for Mamma Mia!, the musical, reports Shane Hegarty, from the judges' table

It is early Monday morning and there is not too much of ABBA's disco glitter in Ringsend air, although it feels cold enough to believe that the air has blown down from Sweden. Since 7 a.m., hopefuls have been queuing to audition at The Factory studio for Mamma Mia! the musical, written by Benny Andersson and Bjorn Ulvaeus, best known as the two Bs in ABBA. The queue stretches out of the audition venue, around the corner and down the street. It's mainly made up of young girls, shivering in their low-cut jeans and belly tops and young enough that they may not have been born when the ABBA tribute bands were at their height, never mind the original one.

The Mamma Mia! crew has a sweepstake running on how many will turn up for the auditions. Their guesses run from 80 to 200, but it looks as if there will be more than that. The show is not the story of ABBA, so today's wannabes will not be aiming to fill the shoes of Agnetha, Benny, Bjorn or Anna-Frid, but any of the 26 roles in a story about "family and friendship on a fantasy Greek Island" that is regularly interrupted by blasts of Dancing Queen or Waterloo. So, there's a disappointing lack of velvet jumpsuits and bad beards from the few boys present and little in the way of big hair and small skirts from the girls.

While not banned as such, they are not encouraged to choose an ABBA song as their piece. "I think we'd go mad if we had to listen to ABBA songs all day," laughs Mamma Mia!'s associate director Paul Garrington. "We hear enough of them in the show as it is."

Today's is the first in a series of open auditions, also taking pl
ace in Edinburgh and London, which will put together a cast for a worldwide tour that kicks off in Dublin in September. There are already eight resident and three touring productions of Mamma Mia! and since its opening in London in 1999, Mamma Mia! has been seen by over 10 million people from Utrecht to Seoul. Strangely, it has yet to play in Sweden.

According to Garrington, they are looking for people who are "not perfect and polished" because Mamma Mia! is a show in which the cast are supposed to look not unlike those sitting in the audience. "We want them to have personality, to be quirky."

What has been the secret of the show's success? "If I knew that, I'd bottle it and sell it to everyone. One main element might be that ABBA never go out of fashion. As well as that, we all seem to be born with the ability to sing songs like Super Trouper. For some reason, it just seems to be in us all."

It is in some more than others. Upstairs, the corridor is busy with hopefuls stretching their vocal chords as they wait their turn. They go in, one at a time, and re-emerge a minute later with either a relieved grin or a look that suggests that their dreams have been, if not quite dashed, then at least dented.

In the waiting room, Ann O'Neill sits with her 18-year-old daughter Caroline, who has taken a day off from her Leaving Cert studies at St Columba's College. It's her first audition, but as a fledgling singer-songwriter she has busked on Grafton Street, so whatever she faces today should be a breeze in comparison to the capital's shoppers. Anyway, she is not sure if she has what the producers will want.

"I have an idea they'll want a clear classical voice with a big range. Or a pretty girl who can dance." Ann is her proud manager for the day, telling how Caroline has been given a singing scholarship at the school, while her daughter ("Muuummm!") is a little embarrassed by her mother's excellent PR work. "I can't sing a note," says Ann, "It was always my ambition to perform, so maybe she'll do it."

Inside the large audition room, three people sit behind a table, wrapped in their coats. They are the casting, choreography and musical directors and each has seen thousands of kids with stars in their eyes and, sometimes, frogs in their throats while casting for the other productions. Given their experience, the 40 seconds or so that they allow each candidate is about 30 seconds more than they necessarily need to decide who makes the cut and who doesn't.

Lorraine comes in to audition. A vocal coach, she is a little older than most of the others and has previously appeared in Les Miserables and Riverdance, so the artificial surroundings of the room don't faze her. Actually, in the bright light she doesn't look unlike Agnetha. She belts out Tina Turner's Simply The Best with a punchy panache and the casting people nod along. "That's all we need to hear," says one of them as she prepares for another verse. She's given a call back.

"Doing auditions doesn't get any easier," she says once she leaves the room. "It's so cold in there, but you have to be able to turn it on straight away."

Her friend Nicola is just after her. This is her first time doing this sort of thing, and she is a little shy when asked what she does for a living. "I'm studying to be an accountant," she admits. In the audition, she delivers a fine version of Aretha Franklin's Say A Little Prayer. Again, the casting people end it by saying that they've heard all they need to hear, but this time it is not followed by a call back. There are no television cameras and time is short so, unlike the judges in Popstars, they do not dish out a little constructive abuse, but thank her politely.

Nicola, however, is not dissuaded. She is determined to leave the glitzy world of accountancy behind her for the stage and will travel to London for the next audition. "I just really want to give it a shot."

In all, 210 audition for the show, which delights and exhausts Garrington and his crew. Thirty-eight survive the initial cull. After a morning of singing, it is time for dance auditions, after which the Mamma Mia! people will confer and decide who gets to go to London for a further try-out next month. "The standard of singing has been good," he says. "There might have been a few of them who maybe weren't the best singers, but had something about them and we brought them back too. But it's definitely been worth coming over."

Caroline is one of those called back and she bounces back to her mum with a smile, following a successful rendition of I Will Survive.

"I was a bit nervous," she says. "While I was waiting I could hear the others auditioning, especially the ones with the powerful voices. But I just went in and smiled and sang and they liked it."

Her mum is delighted. Anyway, if it doesn't work out in music for Caroline, she has applied for college. She hopes to study journalism. Don't put your daughter on the page, Mrs Worthington!

Mamma Mia! opens at the Point Theatre, Dublin on September 9th, with previews from September 4th

Thanks to ABBAMAILer Ron Miskoff, Edison, USA

ABBA FEST GOES ON SALE

Tickets for Abbafest at the Brighton Centre 12th June 2004 are now on sale
for £25.00. Further details are available from www.brightoncentre.co.uk and the ABBAFEST has its own website at

www.abbafest.com

Thanks to ABBAMAILer Patrick Stone (Patsy), Brighton, UK

Dagens Industri ARTICLE TRANSLATED

The pop songs that was written for ABBA are among the most valuable song treasures in the world.

The ABBA-songs make about 100 million SEK a year when it comes to royalties to Benny Andersson, the music publishing company Universal and the Dutch company that bought Björn Ulvaeus rights. You can call that a worthy recycling!

30 years after the break-through with Waterloo in the Eurovision Song Contest in Brighton in England, the 6th of April, ABBA still sells between 2.5 and 5 million CDs a year.

Totally there has been sold about 350 million ABBA records through the years, according to the record company Universal's estimation. The best-selling album is ABBA GOLD with 26 million copies.

All since ABBA broke up in 1982 their music has been re-packaged several times for recycling on compilations and special edition releases. It's even possible to release the same compilation a couple of times! ABBA GOLD has been released in four editions (1992, 1999, 2002 and 2003).

30 years since Waterloo

Soon it's time for new releases of ABBA's music, this time to celebrate the 30 years since the victory with Waterloo. The upcoming CD, Waterloo 30th Anniversary edition, is to be the 17th release of the winning song on the Swedish market, according to Universal.

To draw fans to buy the record once again it has now been enhanced with two bonus tracks, Waterloo in French and German, and a DVD that contains four performances from the year when they broke through. Both the victory in the Swedish contest and the triumf in Brighton is to be included.

But the celebration starts already in March when a concert with ABBA is released for the first time on DVD, ABBA in Concert. Lasse Hallström's film ABBA The Movie, that has been restored by Filminstitutet, won't be released on DVD until next year.

"It is about taking care of the trade mark and not throwing out too many products on the market", Marko Söderström says, responsible for the ABBA releases at the record company Universal.

The golden songs are 20

There are totally 109 ABBA-songs, but the real golden ones are some 20 hit songs. The collection ABBA Gold contains 19 songs, and the musical Mamma Mia! is based upon 22 songs.

"The most played composition in all categories is of course Dancing Queen", Kenth Muldin says, MD for Stim, Svenska tonsättares internationella musikbyrå.

Stim has a duty to make sure that the authors get money for each time their work is played publicly or is sold on record. Still 30 years after ABBA's break through Stim gives the holders of the rights to ABBA's songs millions of SEK.

"ABBA is without hesitiation the biggest treasure for Swedish music. Max Martin hasn't reached that level yet", says Kenth Muldin.

Stim doesn't reveal how much the organisation pays to each of the composers, but according to Stim's statistics only three people got over 5 million SEK last year.

Three possible candidates are Benny Andersson, Per Gessle and Max Martin, who has made himself well-known as the composer to a couple of American artists such as Britney Spears, N'sync and Backstreet boys. Stim pays Benny Andersson's part of the author compensation to Benny Andersson Produktion AB. That company 2002 showed a movement result on 82 million SEK. The turnover was 93 million SEK, that gives a margin of 88 per cent!

Baobab Holding, a mother company in Benny Andersson's music concern, showed the same year a movement result at 104 million SEK.

Sold his owning rights

Björn Ulaveus is no longer making any money on the ABBA-songs in form of the co-composer and member of ABBA.

"Björn sold everything when he moved to England", says Sven Rygaard, chairman in Björn Ulvaeus company Kopparnäset.

Buyer was a Dutch company that nowadays is called Fintage House.

Björn Ulaveus has moved back to Sweden, and to him the musical Mamma Mia! been a way of making money on ABBA's songs. Through the company Kopparnäset he spreads Mamma Mia! all over the world, 2002, when there were eight productions of Mamma Mia running Kopparnäset turnedover 97 million SEK.

Then also Kopparnäset's part of "Chess på Svenska" is counted.

The only ABBA-song that was written by the female part of the group is Disillusion, with music by Agnetha Fältskog and text by her by-then-husband Björn Ulvaeus.

Björn Ulvaeus wasn't the only one to sell his rights to all future income from ABBA's songs and record sellings.

Anni-Frid Lyngstad sold her artist royalty, that she got as a member of ABBA, to a company in Switzerland.

The manager Stikkan Andersson, sold in January 1990, everything he had built, to Polygram that later was bought by Universal, that is owned by French Vivendi.

According to Carl-Magnus Palm, author of the ABBA-biographi Bright Lights, Dark Shadows, Stikkan Andersson got 300 million SEK for his musical empire including the whole ABBA-catalogue. The money he partly used to start the Polarprize, Polar Music Prize.

Stikkan Andersson was co-composer to 20 of ABBA's songs, and some of them are the most successful from the the middle of the 70s, such as Dancing Queen and Mamma Mia. The selling to Universal even his part of the author compensation for these songs, which amounts to somewhere between 25 and 33.3 per cent per song.

Stikkan Andersson had during his career systematically bought ten thousands of song rights for his publishing company Sweden Music. Through buying the old company Reuter & Reuter for example, Stikkan Andersson came to own a number of Swedish classical artists like Evert Taube, Povel Ramel, Olle Adolphson among others. The copyright to these songs are now owned by Universal.

"We estimate by buying Sweden Music we got 20,000-25,000 songs that weres originally published on Sweden Music", Martin Ingeström chief for Universal Music Publishing in Sweden says.

In addition to that was probably almost the same amount of foreign language songs, but that Stikkan Andersson had bought a share of, by for example writing a Swedish lyric. How many this amounts to nobody seems to know after all rebuildings in the record branch.

ABBA-members sued Stikkan

As Stikkan Andersson sold his rights to Polygram/Universal there was revealed that the members of ABBA hadn't got the royalty from the record sellings that they thought they had rights to have. In the beginning of 1980s they had settled upon a new agreement with Stikkan Anderson, an agreement that ABBA thought would give them an artist royalty from the record sellings of 9 per cent. But Stikkan Andersson had though only payed them 3 per cent, or 0.75 per cent per member.

Benny Andersson and Agnetha Fältskog and the foreign companies that had bought Björn Ulvaeus and Anni-Frid Lyngstad's rights sued Stikkan Andersson. But the parties settled upon an agreement outside the court.

How big a royalty Universal pays them today is not offical. According to the company the royalties varies between 3 and 30 per cent of the price Universal sells the records to the record shops for.

In ABBA's case the average price for a CD is about 100 SEK.

Profitable recycling

To recycle ABBA's songs is a profitable affair, the production costs are quite low and the incomes high. The thing that costs is the marketing.

"Everything is possible to sell with killing ads, come and buy conserved porrage", as the progressive group Norbottens Järn sang.

ABBA was looked down upon by the music branch and some critics at the time when they existed as a group, but the reputation has become much stronger from the beginning of the 1990s.

ABBA-revival

The irish rock group U2 showed 1992 that they were fans of the pop group.
U2 invited Benny Andersson and Björn Ulvaeus to play Dancing Queen on stage lead by singer Bono.

There is already now possible to put a mark in the calender for the next big thing in the ABBA-history, the 12th of February. Then Mamma Mia! will première in Sweden, in Stockholm, at Cirkus.

At that time there will, according to the plans, be a new CD released with the music from the musical. It will contain Waterloo, that is an extra number in the musical, but that's missing on the first Mamma Mia-CD.

That will in that case be the 18th time Waterloo is released in Sweden.

By Göran Jonsson

Special thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

February 27, 2004

AGNETHA RUMOUR

A contact who works in the music business has heard that Agnetha may be
promoting her new album in the UK by doing a one-off live appearance at a
gay club... only a rumour at the moment, nothing confirmed, but anything
seems possible with Agnetha at the moment!

Thanks to Agnetha fan Richard Jackson, UK

HEP STARS COMPILATION

And here's some more on the Hep Stars compilation from Carl Magnus Palm's web site:

The Hep Stars was the group Benny Andersson was in before ABBA. In 2004, it is 40 years since they released their very first record, a single entitled Kana Kapila. To celebrate this anniversary, EMI Records decided to release a double-CD compilation. This new collection contains all the hits the group had on the three important Swedish charts in the 1960s: the radio charts Tio i topp ("The Top Ten") and Svensktoppen ("The Swedish Top Ten"), and the sale chart Kvällstoppen ("The Evening Chart"). A number of significant album tracks have also been added.

The CD contains what is probably the first Swedish CD release of songs The
Hep Stars recorded during their brief tenure with the Cupol label: It's Been
A Long Long Time, Sagan om lilla Sofi (both written by Benny Andersson and
Lasse Berghagen) and Det finns en stad. Another rarity is the recording of
The Music Box (the English version of I sagans land, from the album Songs We Sang 68), which is released on CD for the very first time anywhere. Previously, it has only been available on a Dutch single.

Moreover, the group has gone back into the studio to record a new version of
Cadillac, their breakthrough hit, and also a brand new song entitled Love Is
Coming Back. (Note: Benny is not a part of the current line-up.)

Thanks to ABBAMAILer Paul Carter, London, UK

AGNETHA AUSTRALIAN RELEASE DATES - UPDATE

The person looking after Agnetha's single and album at Warner Music in Sydney informs me that the album is due for a late April release in Australia. They also expect to release the single, but the details have not been finalised yet.

There will be more information in a few weeks time.

Thanks to ABBAMAILer Trent Nickson, Sydney, Australia

AGNETHA - PARKINSON UPDATE

It currently looks like Agnetha on the Parkinson show will be broadcast on BBC1 on Saturday, 3rd April, and recorded a few days prior to that.

Thanks to ABBAMAILer Marcus Tustin, London, UK

HEP STARS - CADILLAC MADNESS

Carl Magnus Palm has added info about the 'Cadillac Madness CD' on his homepage. The CD is obviously going to be released on March 31.
http://www.carlmagnuspalm.com/abba/cadillacmadnesscd.html

Cadillac Madness
40 Years " 40 Hits " 1964-2004

Track listing

CD 1:
1. Intro/Cadillac
2. Kana Kapila
3. A Tribute To Buddy Holly
4. Farmer John
5. Donna
6. Bald Headed Woman
7. No Response
8. Rented Tuxedo
9. So Mystifying
10. Young And Beautiful
11. Should I
12. Sunny Girl
13. Hawaii
14. Wedding
15. Don't
16. Isn't It Easy To Say
17. When My Blue Moon Turns To Gold Again
18. Tallahassee Lassie
19. Surfin' Bird
20. Wear My Ring Around Your Neck

CD 2:
1. Love Is Coming Back
2. I natt jag drömde
3. Consolation
4. It's Nice To Be Back
5. Malaika
6. Mot okänt land
7. She Will Love You
8. Like You Used To Do
9. It's Been A Long Long Time
10. Sagan om lilla Sofi
11. Det finns en stad
12. Groovy Summertime
13. Let It Be Me
14. Tända på varann
15. The Music Box
16. Holiday For Clowns
17. Speleman
18. Är det inte kärlek, säg?
19. Speedy Gonzales
20. Cadillac 2004

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

February 26, 2004

WHAT'S HAPPENING WITH LONDON MAMMA MIA?

Strange goings on surrounding the London Mamma Mia! production.

Tickets for the 5th April performance have been cancelled and money refunded to ticket buyers.

Could it be something to do with ABBA's 30th Anniversary?

Or the release of Agnetha's single?

Or a mystery trip by Agnetha to London?

Anyone with more details, please let us know: feedback@abbamail.com

BENNY'S MOVIE ON SWEDISH TV

Parts from the Hep Star's Habari Safari movie, were shown yesterday on Swedish television. It was quite amazing to see these pictures. And here comes a short description of the plot:

- Hep Stars are in Africa to find the original 'glook' (a toy they made ads for?). They land in Nairobi with the airplane and start looking for it. They end up in some sort of small tribe, where they are kindly greeted as big guests. The guide (called Ernie) who accompanies them on the trip tries to steal the glook, which they have in their property. And he flees when he sees the tribe's anger. He ends up in a savann (not really - instead some place just outside Uppsala!!), and all of a sudden Hep Stars turns up again. In the end they get to have the glook in some strange way and they return home to Sweden.

The main problem with this film is that the sound tracks are gone, with the exception of some small parts.

They don't sing much in the movie - the only song they showed was at the end of the movie when they returned to Sweden.

Interviewed for this program were Svenne, Christer Petterson, a collector, Ulf Neidemar (editing), Gunnar Ernblad, Gunilla Gersten (who was to write a book/articles about the trip) and Thomas Nordlund.

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

AGNETHA SET FOR PARKINSON APPEARANCE

UK Daily Mail

ABBA BLONDE TAKES A CHANCE ON A COMEBACK

After conquering her demons, Agnetha releases first album in 17 years

Since ABBA's glory days, Agnetha Fältskog has led a reclusive life. The band split in 1983 and after a string of unsuccessful love affairs and a second marriage, the Swedish blonde bombshell retreated to a tiny island near Stockholm.

She lives there alone and regularly receives psychiatric counselling for a number of phobias including a fear of heights, crowds, flying, driving and open spaces.

But almost two decades away from the music industry and the trappings of fame is apparently enough for the 53 year-old singer.

Agnetha is releasing her first album for 17 years - accompanied by a sultry new image. Called "My Colouring Book", the CD features 14 covers of her "favourite and most inspirational" artists and will be released in April on Warner Music.

She will also release a single, "If I Thought You'd Ever Change Your Mind", which was originally a hit for Cilla Black in 1969.

The comeback coincides with the 30th Anniversary of ABBA's victory at the Eurovision Song Contest in April 1974. Their performance of "Waterloo " sparked a career which spanned most of the next decade.

ABBA sold 350 million records worldwide and, at one point, became Sweden's most successful export after Volvo. In the UK alone, they had 23 hits - including eight number ones - between 1974 and 1983.

A Warner spokesman said: "Agnetha`s new CD will be one of our biggest releases this year. Last year, she decided she was ready to do an album of covers and we were delighted to release it. It's a big deal for us because she's a mega-star - a name that everyone knows. She has such a distinctive voice that you know who is singing immediately. It really harks back to the days of ABBA and will, hopefully, be a big success."

Warner released Miss Fältskog's last solo album, "I Stand Alone", in 1987. It did not do well but her record label blamed lack of promotion.

Money is believed to be one reason behind Agnetha's decision to return to the spotlight. Although her personal fortune after leaving the band is thought to be worth GBP4million, figures recently released in Sweden suggest she made just GBP30,000 in 2002.

Agnetha split from her first husband ABBA's Björn Ulvaeus, in 1981, after having two children, Linda, now 31 and Christian, now 25.

Her reclusive behaviour looks like changing with her new album's release.

A record industry source said: "Agnetha has so far agreed to conduct interviews to promote this CD. An interview with Michael Parkinson has already been confirmed".

Thanks to ABBAMAILers Julie Rickwood, London, UK and Richard Simcock, Sydney, Australia

NEW A*TEENS SINGLE

The new A*Teens single is called "I Promised Myself". This is one of the
four new songs that will be included on their forthcoming Greatest Hits album.

No dates or other details yet.

Thanks to ABBAMAILer Grant Whittingham, Sydney, Australia

FRENCH ABBA COMPILATION A RARITY!

The compilation The ABBA Story made by Universal Sweden for the French market includes three unique errors :

1) Chiquitita is missing from the track listing

2) When All Is Said And Done was not a single released in France

3) When you play the CD you can hear The Visitors at N° 19 and not One Of Us as mentioned on the track listing...

This could make it a rarity for collector fans!

Thanks to author of ABBA - The Book, Jean-Marie Potiez, France

AGNETHA STORY IN UK 'SUN' NEWSPAPER

By SEAN HAMILTON
Showbiz Reporter

HERE’S ABBA’s Super Trouper Agnetha Faltskog looking as irresistible as ever — making a comeback at the age of 53.

The blonde beauty, who soared to worldwide fame with the Swedish supergroup in the 1970s, is launching a solo career.

She is due to release an album in the spring — 17 years after she QUIT music to live like a hermit on her own private island.

And she will be hoping to recapture some of the success of ABBA, who racked up a string of No1s including Mamma Mia, Fernando, Dancing Queen, Super Trouper, and The Winner Takes It All.

Judging by this new picture, former Rear of the Year winner Agnetha has barely changed at all since the days when she ruled the charts with former hubby Bjorn Ulvaeus and fellow husband-and-wife team Benny Andersson and Anna-Frid Lyngstad.

She still has the striking features and long fair hair which turned her into one of the most admired women on the planet.

Yet little had been heard of Agnetha since she turned her back on fame in 1987 — retreating to her island near Stockholm.

She had made two solo records after ABBA split five years earlier, but went on to quit the music business completely.

She admitted: “I hated the fame. It was horrible. It was fever. It was hysteria. I felt I could never get away. I never even bothered to get a stereo for the house.”

The secretive star made only rare trips into the outside world — usually hiding her face behind umbrellas.

She was the only member of ABBA not to attend London’s world premiere of Mamma Mia, the smash stage show based around the group’s chart hits.

In 1990 she wed Tomas Sonnenfeld — a surgeon. But the pair divorced two years later.

More man trouble followed when she was stalked by a former boyfriend.

But the reclusive singer was finally tempted back behind the microphone last year by Warner Music, who signed her to a huge worldwide deal.

Agnetha had been secretly recording the album for three years.

A Warner spokesman said: “We’re really excited. It will be 17 years since anybody has seen or heard from Agnetha.

“This is without exaggeration the return of a living legend.”

Agnetha’s solo album, My Colouring Book, features 15 cover versions recorded in English and will hit the shops on April 19.

The spokesman added: “They’re songs by artists who’ve inspired Agnetha throughout her career.”

Her comeback single, If I Thought You’d Ever Change Your Mind is out on April 5. The song has been a hit for Barbra Streisand and Cilla Black.

ABBA shot to stardom 30 years ago when they won the Eurovision Song Contest with Waterloo.

Thanks to ABBAMAILer Richard Simcock, Sydney, Australia

February 25, 2004

AGNETHA RELEASE DELAYED IN OZ

I spoke to Warner Music in Australia.

There's nothing at present on any of the forthcoming release lists for Agnetha.
The tentative / ball park information is that it'll be released sometime in June or July.

They should have a definite date approximately 1 month beforehand.

Thanks to ABBAMAILer Trent Nickson, Sydney, Australia.

AGNETHA UK RELEASE DATES CONFIRMED

Warner Records UK have confirmned that Agnetha's single will be released in the UK on April 5th, and her album on April 19th.

Thanks to ABBAMAILer Marcus Tustin, London, UK

February 24, 2004

AGNETHA SINGLE COVER - FIRST LOOK

Agnetha's  new single

The cover of Agnetha's new single "If I Thought You'd Ever Change Your Mind"

Thanks to ABBAMAILers Marnix ten Brinke, The Netherlands and Richard Simcock, Sydney, Australia

FROM WARNER MUSIC WEBSITE:

24/2 - Agnetha Fältskog - New Pictures


The release of Agnetha Fältskog's forthcoming album "My Coloring Book" is drawing closer. The release of the record is now planned for the month of April. Before this, however, it will be time for the enormously anticipated single "If I Thought You'd Ever Change Your Mind" which is already being predicted as becoming a real classic. During March, Swedish radio stations will have the opportunity to start playing the song.

Thanks to ABBAMAILer Grant Whittingham, Sydney, Australia

AGNETHA - FULL TRANSLATION

FIRST PICTURES OF THE NEW, TOUGH AGNETHA

The ABBA star shows a totally new look leading up to her comeback this spring.

Agnetha Fältskog is making a comeback this spring. Aftonbladet is the first newspaper today to be able to show pictures of the star's new look.

Tough, self-confident and undressed.

The single "If I Thought You'd Ever Change Your Mind" is released this April and is the first new recording from the ABBA star since the end of the 80s. The album "My Colouring Book" follows later in the spring - but already today, Aftonbladet can show the pictures of Agnetha Fältskog and her new, tough look.

She hasn't taken part in any interviews since 1987. And she has also kept away from cameras almost as consistently.

Until now.

The shy artist who has more and more become the "Garbo" of our time has disappeared - in her place radiates Agnetha Fältskog, 53 - a woman in her best years.

Half-naked, Agnetha Fältskog looks back over her shoulder. And smiles self-confidently at the camera.

But SVT viewers will get the chance to see Agnetha perform before the single is released - as a guest artist at Melodifestivalen. In January, Aftonbladet revealed that secret discussions had taken place during the winter for the ABBA star to perform at the last semi-final, "The Second Chance", on 14 March, where the third and fourth placegetters from the first four semi-finals get to compete for the last two places in the final.

It is thought that Agnetha Fältskog will perform a song not as part of the competition - 30 years after ABBA's victory in Brighton in 1974.

The ABBA connection to part of the competition is already obvious. "The Last Chance" will be broadcast from the Hotel Rival in Stockholm which is partly owned by Benny Andersson.

However, an ABBA reunion is impossible according to all the parties involved.

Agnetha Fältskog's new album is a tribute to the artists who have inspired her throughout the years.

- Annika Johansson

Thanks to ABBAMAILer Grant Whittingham, Sydney, Australia

All news related to Agnetha's new album can be found in our Agnetha News Section:
http://www.abbamail.com/news/agnetha_albumnews_index.htm

FIRST SHOTS - THE STUNNING 2004 AGNETHA!

Agnetha

Aftonbladet has published stunning black and white shots of Agnetha.

Go to our Agnetha album news section to see these sensational shots.

http://www.abbamail.com/news/agnetha_albumnews_index.htm

Thanks to ABBAMAILer Christian Thomasson, Sweden

February 23, 2004

THE SITUATION AT ABBASITE.COM

The questions people have asked me the most in the last couple of days
since ABBAMAIL began a campaign to stop the vilification, victimisation,
bullying and homophobia happening to fans at the official ABBA site forums
is...what's going on? Why are you doing this? What's it all about?

Well here, to the best of my ability, are the details.

When the first version of ABBA - The Site was created, a section was added
for fans to communicate with each other - a kind of bulletin board where
people could share news, views, ask questions and make comments.

Unfortunately, due to the nature of the internet itself, this bulletin
board type arrangement quickly became untenable. It got completely out of
control and became flooded with inappropriate posts, people signing on
claiming they were members of ABBA and fans abusing each other.

When Version 2 of the site was being designed, it was realised that, if the
forum type arrangement was to continue, there would have to be some kind of
control and moderation introduced. To achieve this, Fame Studios/Universal
Music recruited the assistance of a group of ABBA fans that they selected
from various ABBA mailing lists and other discussion forums. Including a
number of members of ABBAMAIL.

These people were to work on a voluntary basis as a team of "moderators"
that would look after the "ABBA Site Forums", provide assistance to fans
using the forums and to ensure that the discussions didn't get out of
control and degenerate as they had in Version 1 of the site.

They say that a camel is a horse that's been organised by a committee. And
that's probably a good analogy of what immediately happened at ABBA - The
Site with the 13-15 people chosen as moderators. Despite the fact that some
of the people chosen were known to be sensible, mature people, the
moderating team quickly became embroiled in personal and political
struggles with each other. People split into various factions - much as
happens in political parties - and secret emails would go back and forth
between these various factions depending on what latest drama was occurring
between them.

The struggle for who would control the forum began early. Despite Universal
Music expecting the moderators to work as one team with one set of
principles and guidelines, it became apparent quickly that more energy was
being spent on internal struggles between the moderators than actually
expended on doing their jobs and helping the site's ABBA fans.

One early power grab was an attempt by moderators from one particular
country to force all moderators to stick to a rigid time schedule - they
would have to agree when to clock on and clock off for their "shift" at
work. As the moderating work was purely voluntary, other moderators were
incensed at this idea. The original idea was for people to sign on and
moderate the forums when they had the time - after all, that's why a large
team was set up.

The moderators have their own "Administration" forum that is only able to
be viewed by themselves and staff from Universal Music. They also set up
their own mini-mailing list and their own chat rooms. Even these tools
became a problem from the earliest days. While the communications between
them should have been open and inclusive, the various factions deliberately
excluded certain moderators when they sent communications. The
communication channels were used to shore up support for this faction and
that faction etc.

And always there were arguments about how the forums should be moderated.

Any group of people thrown together in a team will argue, it is only a
natural part of the process. But the depth and scope of these arguments
descended to almost farcical levels. Agreement couldn't be reached on many
basic issues. Universal Music staff were continually being contacted to act
as "arbiter" by one moderator or another. The trouble is that the person in
charge of liaison with the moderating team also had a very full workload as
part of the small Universal Music team in Sweden. They were already very
busy and the ABBA site job was something additional to their work.

This situation, unfortunately, allowed the power struggles between the
moderators to escalate. Some moderators began to try and impose their views
of how things should be run on the whole team. Universal wasn't able to
respond in a timely manner when there was a drama happening or a forum
matter that needed to be urgently resolved. The person doing the job at
Universal at that time certainly did their best but their time was limited.
And, because of the huge popularity of the site forums with thousands of
members signing up, the issues and problems increased exponentially.

One of the key parts of the moderating team's job is to ensure that
discussions on the site do not degenerate to the level of vilification and
abuse. They also have to make sure that fans can use the forums without
fear of harassment, threats and so on. The team also has to monitor that
sexual comments and references do not become lurid and pornographic.

But in all of this their primary role is to make sure the www.abbasite.com
forums are functioning in a healthy way with fans able to contribute in an
enjoyable atmosphere. The moderators primary role is also to make sure that
the decisions they make are fair and reasonable and can be justified upon
examination. These primary functions are key to the success of the forum
because ABBA and Universal Music are naturally concerned that the official
ABBA site does not bring them into disrepute or generate negative
publicity. The last thing they wanted is for the site to develop a bad
reputation. After all, it is primarily a marketing tool for ABBA related
product and it has to present a positive impression of the ABBA name.

There were and are some good people involved in moderating the forums. They
worked hard and tried to be as fair and reasonable in their administration
of the site and in the way they treated the fans using the site.
Unfortunately, not all of the people chosen as moderators were interested
in being "fair" or "reasonable".

Some early departures in the moderating team saw the balance of power shift
rather dramatically. One particular moderator saw this as their chance to
exert control over everything related to the forums. A newly appointed
moderator joined with the person exerting this control to form a power
block that remains until this day. And this is where the real problems
began for regular ABBA fan members of the site.

It is often the person that shouts the loudest that gets their way. Some
people are easily influenced by stronger personalities and others don't
enjoy conflict. That's just the way the world works. What has happened at
the abbasite is that there has been a dramatic split between the moderating
team since this power block was formed.

The moderating team is currently comprised of (a) the power block of 2-3
people who presently control everything that happens on the site (b) a few
other people who are easily influenced by the stronger personalities of the
power block and simply do as they are told (c) a few who do not contribute
very much to the team - that is, they don't sign in to help out very often
but seem to be more interested in the prestige of being a "moderator on the
official abba site" and the free gifts that Universal Music regularly give
each moderator and finally (d) a few very sensible, very hard working, very
down to earth moderators or "mods" as they call themselves who are fighting
a losing battle to ensure the forums are moderated appropriately and that
site members are treated with dignity, respect and fairness.

The power block comprises two particular very strong personalities that
have openly admitted they want to run a "conservative agenda" for the site.
From their earliest moments, they stated that they are on a mission to
"clean up the site" - they are anti just about any type of interesting or
unusual discussion and want to rid the site of what they consider to be
"the Gay element".

The power block moderators began a very early struggle to ban any mention
of "Gay" on the site. This is despite the fact that a substantial number of
ABBA fans are Gay and that a substantial number of contributors to the
forums are also Gay. The power block moderators began to delete posts to
the site with any mention of the "G" word. This immediately began upset the
more openly Gay fans on the site and, even more importantly, infuriated
some of the other moderators.

Interestingly, the anti-Gay campaign began shortly after one of the more
prominent original members of the moderating team, an openly Gay man,
resigned from his position. But this still left other members of the team
who were either (1) Gay themselves or (2) comfortable with Gay people. The
majority of the moderators did not consider sexuality should be an issue in
the way the site was run and certainly did not want to be involved in the
persecution of Gay fans using the site.

Tension increased between the moderators to the point of shouting and
screaming arguments in their administration forum and some moderators
appealing directly to Universal Music staff for support.

A humongous argument developed between the team over this issue. Universal was contacted for a decision: their response was that their primary concern was to ensure sexually explicit comments or material were not on the site. And that is fair enough.

However, as mentioned earlier, it is often the people who shout the loudest
that get their way. The very conservative power block moderators continued
on regardless. They made up their own rules for what could and couldn't be
said and done by fans on the site despite the objections of the other
moderators. No matter how much other moderators disagreed with these people - two in particular - they carried on regardless. They shouted louder and screamed louder at the other members of the team and also began systematically targetting certain fans using the site who were either Gay or who did not share their views on how the site should be run.

The reactions of the other moderators to the power block have ranged from
meek compliance to indignant outrage. Some have obeyed unquestioningly
fearing they will lose their positions and free gifts otherwise. Some have
gone along for the ride and then realised that they have been used by the
power block and that they are, in fact, not happy with the decisions being
made for them. Some have argued each and every point with the power block - trying to reason with them and come to some kind of compromise, agreement etc. Unfortunately this has not been successful.

Some moderators have approached Universal Music staff and begged for
intervention. They have explained what is happening and asked Universal to
intervene and rectify the situation. Unfortunately, Universal Music have
not done so up to this point. And it may well be because the staff member
now looking after the site is, like her predecessor, snowed under with
other work.

At the same time as all this has been happening, fans using the site (many
now ex-members) began to question why they were being treated so
appallingly by certain moderators. They began to ask why they were being
targetted, threatened and harassed. Why their often harmless posts
questionning certain aspects of the forum's administration were being
instantly deleted by a couple of moderators. And Gay fans began asking why
they couldn't say they were Gay or talk about being Gay on the site. After all, the whole point of the forum was to encourage people to get to know each other and share their love of ABBA. Being Gay is not illegal or a crime (in most democracies) and simply mentioning that you are Gay should not result in our post automatically being deleted and you being threatened with expulsion from
the site.

Some fans became so frustrated that they began to contact Universal Music
directly using the info@abbasite.com address. This address cannot be
accessed by moderators but only by staff at Universal. Unfortunately,
again, their complaints and pleas for assistance were not acted upon nor
were their emails acknowledged. It can only be said, in fairness, that this again
would be a workload issue for the staff member at Universal looking after
the ABBA site.

What has happened more recently is that the power block has become even
bolder and more rabid in the way they control the site and the fans
participating in the forums. One of the two has become so bold that they
have appointed themselves unofficial chief of the moderating team and will
tolerate no dissention from the other moderators. This person exercises
absolute control over the selection of new moderators so that, as original
team members have moved on, the only people allowed to be selected are
those that will "follow orders".

Other original members of the team have tried stop the insanity and bring
things back to a reasonable lev