February 26, 2005

HOOTENANNY SINGERS TO REUNITE?

This year's song festival takes shape

Cajsa-Stina Åkerström, Lars Demian and Niklas Strömstedt are some of the artists for the Västervik Song Festival. The festival takes place on the 13th-16th of July, celebrating its 40th anniversary with one day extra.

One of the questions yet to be answered: Will the Hootenanny Singers reunite or not?

- Well, I told you there will be secret artists every night, Hansi Schwarz answers cryptically.

Hansi has been one of the organizers of the festival ever since it started in 1965. He says that this year will be the big final.

- I am 63, and I had a stroke last year. There are other forces wanting to have a go on the Song City of Västervik, and I think I'll hand it over to them.

- It's been a long struggle with the local city authorities to get the proper licences and other stuff. It's a pity it has to be 35 years before they really understand how big a festival this is - although it is so "small".

Tickets are released by next weekend. Artists so far: Lill Lindfors, Helen Sjöholm, Peter Harryson, Lasse Tennander, Cajsa-Stina Åkerström, Niklas Strömstedt, Lars Demian and Stefan Sundström.

There will be at least 24 artists, which means 6 every night. To avoid competition from Lars Winnerbäck when he performs at Gränsö on Thursday, we will have our youth special on Wednesday.

- It takes a lot of "nagging" and convincing to engage singers who would prefer to be free to relax during summer. Lill Lindfors is very sparing with performances, and I have been trying to convince Helen Sjöholm for ages, says Hansi Schwarz.

By Ulrik Svedin, Östgöta Correspondenten

Thanks to ABBAMAILer Tony Becker, Helsingborg, Sweden and also Paul Carter, London, UK

REMEMBERING ABBA IN FEBRUARY

1973 - "Ring Ring" fails to be chosen as the Swedish Eurovision entry but is recorded in Swedish, German, Spanish and English (E. Lyrics by Neil Sedaka and Phil Cody) for a single which their names are shortened to ABBA (from the four initials)

1973- 23rd - Linda Ulvaeus, daughter of Agnetha and Björn, is born in Stockholm.

1974- Waterloo in, English is accepted as Sweden's Eurovision Song Contest Entry.

1975- [13th] [21st] Recording "Crazy World" and "Tropical Loveland"

1977 [14th] ABBA performs final concert of British tour at London's Royal Albert Hall.

1978- [16th] ABBA-The Movie has a UK premiere in London.

1978- "Take A Chance On Me" tops the UK Charts completing a second #1 hat-trick.

1979- Benny and Björn work on a version of "Voulez-Vous" at Criteria Studios in the US. Home to the Bee Gees.

1979- "Chiquitita" charts in the UK, reaching #2.

1980 [4th] Recording 'Hold Me Close' working title of "Andante, Andante"

1980- [11th] Recording 'Daddy Don't Get Drunk On Christmas Day' (working title of "Happy New Year")

1981- Benny and Frida decide to divorce.

1982- Head Over Heels crawls to U.K. #25

1982- [6th] "When All Is Said And Done" charts in the US peaking at #27.

1983- [21st] "Under Attack" is released in Nordic Countries.

2005 [12th] ABBA or "TAFKAA" arrive at the "Mamma Mia!" premiere in Sweden.

Thanks to ABBAMAILer Stephen Morris, Virginia, USA

28TH ANNIVERSARY OF ABBA'S AUSTRALIAN TOUR

As we approach the 28th anniversary of ABBA'S tour of Australia I thought I would recount a newspaper article, written to express the outrage at the time at the cost of a ticket to see ABBA...

===========================

$9 TO SEE ABBA

Daily Mirror (from 1976)
by James Oram.

"Pop fans will have to pay a hefty $9 to see ABBA's only Sydney performance. The Swedish group will play at the Sydney Showground on Thursday March 3.

The promoter Mr Paul Dainty, today defended the $9 ticket price when he gave details of the group's Australian tour.

It will be one of the most expensive tours to come to Australia he said. There will be 34 people on stage,and we will be reproducing exactly the same sound as on ABBA'S records.

But the president of the ABBA fan club Nadia Vasil of Thirroul, said the prices were too high, "Some families will not be able to go to the show.It will cost a family of five $45 to see them perform. But the $9 won't put me off seeing ABBA."

Tickets for the concert will go on sale at a special box office at the Sydney Showground on Saturday October 9.

Mr Dainty said the tickets were cheaper than Neil Diamond which cost $15 and $10.

We are bringing 17 musicians from Sweden to ensure we get the right sound. These are the same musicians who back ABBA on their records. Another 17 string musicians will be from Australia. Counting the road crew and technicians, there will 60 people on the tour.

ABBA will rehearse for three days in Sydney before starting the tour, which takes in Sydney, Melbourne, Adelaide and Perth.

They will be on stage for two hours,and will make several costume changes.

=============

Thanks to ABBAMAILer Judy Sawyer, Sydney, Australia

PREMIERE IN SWEDISH GOSSIP MAGS

Two Swedish gossip magazines have some coverage of the Mamma Mia! Stockholm premiere.

Svesnk Damtidning (24 February) has an article on the premiere with two pictures of Agnetha, one of Frida and three of Benny and Björn.

Se & Hör only has an article focussing on Gunilla Backman and another article claiming that Benny earnings are 8,000,000 Skr per month.

Thanks to ABBAMAILer Paul Carter, London, UK

JON LORD CONCERT IN ZERMATT

Jon Lord is involved in a concert at The Versinage, Zermatt, on 23rd March. The first part of the concert is a jam session with the founder members of Deep Purple, while the second part of the concert is Jon Lord and the Gemini Orchestra, with proceeds going to charity.

As it's near where Frida lives, I would think it likely she will be there (although probably not performing as there's no mention of special guests).

Thanks to ABBAMAILer Paul Carter, London, UK

ANDERS EKBORG / ROBERT WELLS CONCERT

Robert Wells is performing his "Rhapsody in Rock" concert at the Royal Albert Hall on Saturday 2 April. There are several guests stars included, including Anders Ekborg of "Kristina" fame.

Thanks to ABBAMAILer Paul Carter, London, UK

CHARTS

Well, here are the charts for the first official week since the four members of ABBA appeared at the Mamma Mia! Premiere.


IRELAND:
ABBA - ABBA GOLD - back on at #63

SWEDEN:
Benny Andersson's Orkester - BAO! - up 5 to @23

AUSTRALIA:
ABBA - The Definitive Collection DVD - up 6 to #34

GERMANY:
Cast Recording - Mamma Mia! (German) - up 11 to #55
ABBA - ABBA GOLD - up 3 to #72

NETHERLANDS:
Cast Recording - Mamma Mia! (Dutch) - up 46 to #22

ABBA GOLD is off the UK albums chart.

Thanks to ABBAMAILer Dean Scapolo, Wellington, New Zealand (also Penny Jackson, UK)

February 25, 2005

CHESS CANCELLATION: "THE STAGE" STORY

Here's an article from The Stage on the reason for the Chess Concert, (originally scheduled for April 2nd, 2005) in Cardiff being cancelled:

Cardiff festival cancels Chess concert.

Organisers of the Cardiff International Festival of Musical Theatre have been forced to cancel their headline production of Chess after the show?s creators, who are currently working on a new version for Broadway, refused to grant them the rights to the original West End musical.

Festival director Joanne Benjamin and producer Robert Fox had hoped to present the first staging of the concert-style production since its London premiere in 1986. However, less than two months before it was due to be performed, the rights holders revealed plans to workshop a new production of Chess in New York and called for the one-off performance in Cardiff to be pulled.

Festival chief executive Joanne Benjamin said: ?Apparently there have been lots of discussions about doing a new production over the years. We had been in talks with the composers for about a year and everybody had been in agreement until someone in America came up with a new version. It suddenly came on the scene and they wanted to stop all the other productions, in spite of pleas from me saying that one performance at the festival wouldn?t harm any new work.

?We only found out about it ten days ago and I wish I could tell you why they waited until then to tell us. I was trying to negotiate with them but we were at a point where we had a deadline to meet and I?d rather not do it at all than do it badly. We had the cast lined up but couldn?t finalise anything until we knew about securing the rights of the show. It has been very difficult but we will be making a decision about what to replace it with in the next few days.?

The original West End production of Chess was devised by Tim Rice, Benny Andersson and Björn Ulvaeus, however the show was altered before transferring to Broadway in 1988. Instead of having the show completely ?sung-through? as it had been in London, director Trevor Nunn chose to bring in playwright Richard Nelson to write a book for the musical, with a number of additional songs provided by Rice.

Highlights of the Cardiff festival program will now include a new touring production of Kiss Me,Kate as well as Tommy and the world premiere of Amazing Grace, a new musical by Mal Pope and Michael Bogdanov.

Thanks to ABBAMAILer Dominic "Ice" Wallis, United Kingdom

February 22, 2005

RECORD COLLECTOR MENTION

ABBA is number 10 in the Record Collector magazine's list of favourite groups of the readers, before U 2 and Sex Pistols. And "Super Troupers" is at number 7 on the list of favourite DVDs of the year.

Thanks to ABBAMAILer Pascale Ranson, Lille, France

"THE STAGE" MAMMA MIA! STORY

From 'The Stage'.

http://www.thestage.co.uk/news/newsstory.php/6604

The world's most successful musical, Mamma Mia!, has opened in Stockholm, with the songs of ABBA sung in Swedish for the first time.

The show has more productions playing simultaneously around the world than any other musical at the moment and generates more than $8 million worldwide in weekly ticket sales.

For the first time, songs like Tack For Alla Sanger (Thank You for the Music), Vinnaren Tar Allt (The Winner Takes It All), Jag Vill, Jag Vill, Jag Vill, Jag Vill, Jag Vill (I Do, I Do, I Do, I Do, I Do) were heard being sung in Swedish at the opening on February 12, in new translations by ABBA star Björn Ulvaeus and Niklas Stromstedt.

"I was very hesitant, not to say unwilling, to translate it," Ulvaeus told The Stage after the show at Stockholm's Cirkus Theatre. "It's an English musical and people know the first line of each song which fits in with Catherine Johnson's story. It was also odd to be revisiting lyrics I first wrote over 25 years ago. But it works fantastically well."

Benny Andersson said that bringing the show to Stockholm felt "like a service to the Swedish people."

Those people included Ulvaeus' former wife, blonde ABBA singer Agnetha Fältskog, who was seeing the show for the first time. She never travels and is rarely seen in public. But lured out to attend the Mamma Mia! Premiere, she mingled with the creative team in a post-show reception and later went on to attend the private dinner party held for the Swedish cast and British production team. These included producer Judy Craymer, author Catherine Johnson, director Phyllida Lloyd, choreographer Anthony van Laast, designer Mark Thompson and lighting designer Howard Harrison.

Though Fältskog and Ulvaeus share a grandchild now, Björn commented that this was the first time all four members of the former pop group had been together in the same place for at least eight years, since a friend's 50th birthday and before that when the group split up in 1982.

At last year's fifth anniversary celebration of the original West End production opening at the Prince Edward Theatre, only Andersson, Ulvaeus and Anni-Frid Lyngstad were in attendance. Andersson ruled out any onstage reunion of the group. He said: "People no longer ask if it's going to happen." Only Andersson and Ulvaeus took a bow at the end of the show, joined by Johnson.

Mamma Mia! now has 14 productions running around the world, from the West End and Broadway to Las Vegas, where this week it celebrates its second anniversary, South Africa, where it opens in Johannesburg this week, Australia, where it returns to Melbourne next month, Germany, where it is currently playing in Hamburg and Stuttgart, Japan, Holland, Korea and Madrid. A new production opens in Milan later this year.

Ulvaeus and Andersson are also hoping to take their own Swedish musical Kristina to a worldwide market. Though local heroes, Ulvaeus commented that they are able to go about their business in Sweden without interference. He said: "Even during our heyday we could go to the grocery shop without being harassed. I've been in the papers since I was 18 and I'm 60 in April - people are fed up with me now."

Thanks to ABBAMAILer Jonathan Gatsby, Kent, UK

MORE PLATINUM FOR GOLD

ABBA GOLD was certified as 13 x Platinum in the UK on 11 February 2005 according to BPI anyway! This represents sales of around 3,900,000 in the UK alone!

Thanks to ABBAMAILer Trent Nickson, Sydney, Australia

ROBIN'S MAMMA MIA! PICS

I've now published some of my Mamma Mia! pictures. It's not all of them. Some of the Agnetha ones I've taken out. I haven't include the shots of her sitting in the audience since she was son unhappy about people taking pictures of her inside the theatre.

Hope you'll like them and I'm sorry for the big text over them, but I found that was and is the only thing I could do to prevent other websites stealing the pictures.

http://www.allaboutabba.com/artikel1.php?id=5

I'm quite fond of the last picture of Benny kissing Gunilla and then you have the other lady on the left hand, and the hands applauding :-) so please take a closer look on that one ;-) )

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

February 21, 2005

UK MAIL ON SUNDAY FEATURE

There was a double page spread in the UK's Mail on Sunday newspaper. It was an interview with Mamma Mia! producer Judy Craymer. There's one picture of Frida and Agnetha but it's circa 1975/76 and they're wearing the cat costumes.


Thanks to ABBAMAILers Martin Thompson and Sara Russell, UK

TED MUSICAL

The musical based on the songs of Ted Gärdestad opened in Stockholm on Friday 18 February, and here are a couple of press reports about it:

www.aftonbladet.se/vss/noje/story/0,2789,604531,00.html
www.aftonbladet.se/vss/noje/story/0,2789,604188,00.html

Ted Gärdestad as you may know was part of the original Polar Music family of artists back in the 70s. Björn & Benny had a quite a bit of involvement with him back then. Stig tried to launch Ted on the international market and his most famous English language release was the single "Take Me Back To Hollywood".

Thanks to ABBAMAILer Paul Carter, London, UK

MAMMA MIA! GERMAN TV REPORTS

This week I checked the usual shows on German TV that I suspected to have a report about the premiere in Stockholm. I missed some of them, so maybe there was more than just this one report on "Leute heute" on Tuesday.

On Saturday they always show the highlights of the week, and again they had a small report on the premiere, but it was a little different, not purely a rerun. The version on Tuesday had a little interview bit from Frida, whereas the Saturday version didn't, but instead they showed a second or two of the show with the three leading ladies doing the encores. Both reports are less than 30 seconds long, but still better than nothing.

There were a lot of other events in the last week, like the Grammy Award Show, the Berlin Film Festival, New York Fashion Week, Charles' and Camilla's wedding plans and so on, so all the TV shows concentrated on those and not on chilly Stockholm. In this interview bit with Frida on "Leute heute" she obviously was asked about the four of them appearing on stage after the show, and she is quoted saying "we are here, that must be enough". It's the same source as the reports on Swedish TV that you can watch on abba-news.de.

By the way, www.abba-news.de also have a report from ITV which has a much longer segment about Agnetha.

Last weekend there was an ABBA show called "ABBA Fever" around here. And "ABBAMANIA" comes here in March. And on NDR TV they will repeat that "ABBA - 20 Greatest Hits" show from Christmas last year, where cast members of Mamma Mia! in Hamburg present ABBA's greatest hits in Germany. It will be the third time they will have shown that in less than three months.

Last weekend Donna and Sam from Mamma Mia in Stuttgart were in a regional TV show doing Mamma Mia and S.O.S.. And on WDR there will be a show called "Best Of Musical". It was a three-day live show last year in November or December, and on WDR at 8:15 pm they will show the highlights which include something from Mamma Mia.

Thanks to ABBAMAILer Erik Menkens, Wangerland, Germany

February 19, 2005

BABS & ELAINE TOGETHER AGAIN???

This was mentioned at www.remembertheeighties.com for those who might be interested.

BARBARA DICKSON is rumoured to be reuniting with 'I Know Him So Well' co-star ELAINE PAIGE at her forthcoming London concerts in May. The singer will play the concerts - her first London shows for fifteen years - at The Bloomsbury Theatre on May 4th and 5th.

Thanks to ABBAMAIL's Grant Whittingham, Sydney, Australia

SBS WEBSITE MAMMA MIA! STORY

http://www9.sbs.com.au/theworldnews/region.php?id=105277®ion=3
MAMMA MIA! ABBA REUNITE
15.2.2005

Members of the 70's Swedish pop group ABBA have publicly reunited for the first time in 23 years.

The quartet of Björn Ulvaeus, Benny Andersson, Agnetha Fältskog and Anni-Frid Lyngstad appeared in Stockholm at the Swedish premiere of hit musical 'Mamma Mia!'.

It was only the second time the four have met together since the band's acrimonious 1982 split - and the first time they have done so publicly.

Despite a ten-minute standing ovation from the packed auditorium at the Cirkus theatre, former husband and wife pairs Benny and Anni-Frid and Agnetha and Björn couldn't be persuaded to appear on stage together.

The Stockholm premiere, a sell-out until Christmas, was said to be special for the writers, who even hired the former ABBA bassist to play in the pit orchestra.

The normally reserved Swedes enjoyed every note of the night, with the black-tie audience dancing and stamping their feet.

Even Agnetha, seeing the show for the first time, was reported to be on her feet bopping along.

Agnetha, who is known in Sweden as "Garbo the second", has been a virtual recluse since the split from her husband and the band in 1982.

Last year ABBA fans had hoped she would appear in London for the musical's fifth anniversary celebrations, but she stayed away due to her fear of flying.

She did appear this time, smiling and waving to the crowd, but left without saying anything.

'Mamma Mia!' tells the story of a single mother and her daughter on a Greek island through the ABBA hits.

It's the most successful musical ever, earning more than US1b (A$1.3b) at the box office around the world.

The musical has played in more than 14 cities and seen by than 20m people.

During their eight years together, ABBA sold more than 360 million albums, becoming Sweden's second biggest export after Volvo cars.

But fans hoping for a reunion had their dreams dashed.

A few years ago, ABBA were offered US$1b to re-form but turned it down.

Björn insists nothing has happened to change their minds, saying "People want to remember us as we were, youthful and energetic. Not four sixty somethings."

SOURCE: World News

Thanks to ABBAMAILer Monique Hoevens, Tilburg, The Netherlands

MAMMA MIA! STORY FROM LAST WEEK

http://www.mytelus.com/music/article.do?pageID=home&articleID=1843289

ABBA musical Mamma Mia! hits Sweden, in Swedish

STOCKHOLM (AP) - It's set in Greece, but the songs in the hit Broadway musical Mamma Mia! are as familiar to most Swedes as pickled herring and chives on a piece of crisp bread.

But unlike the tunes ABBA made famous in the 1970s and early 1980s, the songs in this version of the wildly popular show are sung entirely in Swedish.

A whole generation of Swedes grew up on ABBA songs, but the chance to see the musical based on several of the supergroup's hits came only if they passed through London, New York, Toronto, Las Vegas, Osaka, Japan, and other world cities that staged it.

But starting Saturday, the worldwide smash will finally be brought home to Stockholm, and will be heard in Swedish for the first time. To mark the event, all four members of the Swedish supergroup - Bjorn Ulvaeus, Benny Andersson, Agnetha Faltskog and Anni-Frid Lyngstad - are scheduled to attend the premiere, the first time in nearly 20 years they've appeared together in public.

Nearly all of ABBA's songs were written and recorded in English, and more than 350 million records have been sold worldwide. But when the decision was made to bring Mamma Mia! to Sweden, Ulvaeus decided it would be better to do so in the native language - a nod to productions in Japan, Germany, Spain and the Netherlands that all were rewritten in the countries' languages.

So Ulvaeus, along with Swedish artist Niklas Stromstedt, set about translating them to his mother tongue - a process that enabled him to take a step back from the lyrics he and Andersson had written nearly three decades earlier.

"I was, frankly, quite reluctant to do it in the beginning," Ulvaeus told The Associated Press on Friday. "I thought this show would only work in English-speaking countries because of the recognition factor."

So far, the recognition is still there, because while the words and lyrics may have changed, the melodies have not.

"It's more of a musical with very famous melodies, but completely new lyrics," the 59-year-old said. "And because it worked so well in Germany and Holland and Japan and South Korea, I thought, 'Well, of course."'

Swedes generally have no trouble understanding English, having been taught the language from grade school. Most American and British TV programs are broadcast in English with Swedish subtitles, and popular music is recorded in English as well.

As it stands, the reaction to hearing such songs as Super Trouper, SOS and Dancing Queen sung in Swedish has been positive in previews.

"Generally, they're astonished that they fit so well and they forget about it after a couple of songs," Ulvaeus said.

The show itself is billed as one of the most popular ever made. There are 14 productions being staged worldwide, including on Broadway in New York and in London's West End. Other road shows are in several German cities, Toronto; Osaka; Daegu, South Korea; and Madrid, Spain. An international tour will bring it to South Africa, Estonia, France, Portugal, Lebanon, Switzerland and Austria.

As for its next stops, Ulvaeus is looking toward a production in Milan, Italy, with the songs sung in Italian. Beyond that, he's looking East.

"After Milan, my dream is to do it in China in Shanghai," he said. "That would be wonderful and such an experience. And Shanghai is the right city - a great, huge population, and there are theatres there."

Thanks to ABBAMAILer Monique Hoevens, Tilburg, the Netherlands

QX MAMMA MIA! INTERVIEW

Here follows the translation of the Mamma Mia interview in QX. QX is Sweden's main Gay publication.

http://www.qx.se/nyheter/artikel.php?artikelid=3430

QX meets the gay guys in the Mamma Mia! ensemble

STOCKHOLM It took just a few minutes after talking to ensemble member Robin Olsson in Mamma Mia, before he gathered four more gay guys that wanted to talk to QX. We met the quartet during a sweaty rehearsal at Dramatiska Institutet in Stockholm.

What are your different assignments in Mamma Mia?
Niklas: I play Tom who is the daughter’s boyfriend.
Magnus: Stand-in in the ensemble and for two of the dads.
Hans: Choreography assistant and Sving (to be able to take someone else’s place in the ensemble).
Robin: Ensemble and stand-in for one of the boyfriend’s friends.
Martin: The boyfriend’s friend.

Do you all like ABBA?
Everybody except Niklas: Yes!
Niklas: ...more and more I should say. I haven’t really been listening to ABBA at home but I like the music when I’m working with it. It’s easy to like the music, everybody can find something that they like.
Magnus: The ABBA fan club is the only fan club I’ve ever been a member of (everybody laughing).
Robin: My mother was listening secretly she has told me, it was not very cool to like commercial music during the 70s.

It sounds like an eldorado of gay cliché, an entire musical with ABBA music.
Hans: Most people like ABBA I suppose.
Robin: It is a feeling of drag show if you look at Agnetha’s and Frida’s outfits.
Niklas: Yeah, and then the music is just as dramatic that it allows lively movements and wild gestures.

Why is Mamma Mia so popular?
Hans: I think it appeals just because it’s ordinary. It’s an ordinary story with ordinary people and not exaggerated and theatrical like so many musicals can be.
Martin: It really demands that you play naturally and that is a challenge when it comes to a musical.
Magnus: ABBA plus lots of humour and a story that many can apply to is probably the secret.
Niklas: It feels unpretentious and it’s contagious. The audience loves it.

Was there any song where you felt “oh, why isn’t this in the show”?
Martin: Yes, Fernando is not in the show.
Robin: …and Ring Ring which I like. It’s also missing.
Niklas: But the story has to work as well. So I guess they just didn’t fit in.

Are you satisfied with your parts or do you wish that you would have got bigger parts for example?
Niklas: Not me!
Robin: No, I don’t have time to think like that. Since I got to know that I was in the musical I’m just so happy. You want to focus on your own part and become really good.
Martin: I think we got cast for the parts that suit us. The casting agents saw us in the play right where we are today.
Magnus: And you wouldn’t speak out if that was the way you felt. I was extremely pleased to be part of the ensemble as well as a stand-in. I just have to know the two daddy parts as well as my part in the ensemble.

So would you wish someone ill so that you’ll get the chance to jump in?
Robin: Not more than it would be a nice experience to get to play your second part so that you know that you can handle it. It’s enough if you get to do it once. And there are so many stairs at Cirkus so you just want more... (smiling cunningly). (Have no idea what this is about. Nik)

In London, Mamma Mia has been playing for several years, will it be as long-lived here in Sweden?
Martin: In Sweden we don’t have the same tradition, after two years everybody that wanted to see it has seen it. London has so many visitors coming in all the time.
Hans: There is just so many per capita in Sweden that could see it…
Robin: We have contract of six months, then we’ll see.

What is the major difference between the English production and the Swedish?
Hans: That we’re singing in Swedish. But after two seconds you forget that since the translation is so good. And some jokes have been changed to suit the Swedish audience. It is done throughout the different countries where it’s put up, we might laugh at other things than say the Germans.
Niklas: There is more gay sex in this production (everybody laughing). No, it isn’t.
Niklas: I’m wearing trunks.
Martin: Yeah! We all are! Write that everybody’s wearing swim trunks and then lots wants to come and check us out (everybody laughing)

ABBA favourites?
Niklas and Magnus: The Winner Takes It All
Robin and Martin: Slipping Through My Fingers
Hans: Dancing Queen

What did you think about A*Teens’ covers?
Martin: When I was in 8th grade I thought their ”Mamma Mia” was cool. But it was a good thing that they changed music later because otherwise it would have been tiring.
Magnus: It was a good thing that they gave life to the songs to a new audience who probably wouldn’t have listened to ABBA otherwise.
Robin: Yes, A*Teens were good just because ABBA was good. It’s timeless music.

When did you realize how many gays there were in the ensemble?
Niklas: After one second (laughing).
Martin: It took me quite a while...
Robin (serious): I knew of everybody the first day, because I recognized many. Then I was wrong about a few...
Niklas: Yes, there’s a lot of talk about that there are so many gay guys in showbiz. Sure! Show ‘em! It feels like there’s not many at all compared to what people believe.

Did you see any cute guy during the auditions that you were hoping he would get picked?
Robin: No, you are too busy with yourself to think about someone else. But maybe Hans saw someone, since he was casting at the auditions (laughing).
Martin: But everybody’s been with Hans haven’t they? (everybody laughing)

Any dykes?
Robin: I think I know two...
Martin: But do we know that they really are dykes? I suppose they are bisexuals.

It’s going to be a very tough Spring and not a lot of time off?
Robin: Yes, we have seven performances weekly. We have matinees on Sundays and we’re off on Mondays. So you can image where we’ll be hanging when we’re off... (There’s a big gay party every Sunday on a party boat called Patricia in Stockholm. Nik)

- Ronny Larsson

Thanks to ABBAMAILer Niklas Albinsson-Collander, Goteborg, Sweden

February 18, 2005

CHART NEWS: 11-18 FEBRUARY 2005

Here are the chart stats for the week 11-18 February 2005

SWEDEN:
Benny Andersson's Orkester: BAO! - up 2 to #28

AUSTRALIA:
ABBA - The Definitive Collection DVD - stable at #40

GERMANY:
Cast Recording (German) - Mamma Mia! - up 2 to #66
ABBA - ABBA GOLD - up 9 to #75

NETHERLANDS:
Cast recording (Dutch) - Mamma Mia! - down 43 to #68

CANADA:
Cast Recording - Mamma Mia! (New version) - up 12 to #186.

OFF:
Spain - Todo ABBA. Peaked at #30, charted for 13 weeks.

Thanks to ABBAMAIL's Chart-Tart Dean Scapolo, Wellington, New Zealand

NEW PICS AT MAMMA MIA! SITE

The Swedish Mamma Mia! website has uploaded a page of photos from the premiere. Check them out at:

http://www.mammamiathemusical.se/start.aspx?pageID=360

Thanks to ABBAMAILer Robin Andersson, Stockholm, Sweden

February 17, 2005

CHESS DEFINITELY CANCELLED

News about CHESS comes from The Cardiff International Festival of Musical Theatre's website:

The proposed concert performance of the musical Chess has been cancelled.

http://www.cardiffmusicals.com/1473.html

Thanks to ABBAMAILer Dominic "Ice" Wallis, United Kingdom

MAMMA MIA! AFTER-SHOW PARTY

I also met a Polish ABBA fan called Marzena, and she told me that all four members of ABBA were at the after show party. She also said Frida and Agnetha were hugging - apparently this was seen through a window or something like that.

They all arrived at the party at a different time, because some of them had dinner first. I can't verify this information but this is what I was told. At the beginning of the party, only the Mamma Mia! cast members were there, and the ABBA members arrived later in the evening.

When I was at Skansen there was a sign outside one of the buildings there and it said: "Nyloftet, Herrgardsvaningen, Festvaning, Valkonna till Mamma Mia Premiarfest". I took a photo of it of course!

Thanks to ABBAMAILer Monique Hoevens Tilburg, the Netherlands

February 16, 2005

JAPANESE FAN'S WEBSITE HAS NEW PICS

Japanese ABBA fan Mayumi Taheri has been in Stockholm for the premiere of Mamma Mia!.

She has created a page of photos which capture a little of the magic and excitement of the night. The text is in Japanese but you should check out her photos from the event

http://www.galstown.ne.jp/9/gardenning/mixx/sweden.htm

MAMMA MIA! SPECIAL SECTION

ABBAMAIL has created a special section of our website for stories, reports, translations, reviews and pictures from the Stockholm premiere of Mamma Mia!

The section acts as a central point for fans to access all material related to the big premiere last Saturday night.

"I Was There" reports from fans who attended the premiere will be uploaded to the Mamma Mia! Stockholm section now and not the latest news page.

You can access the Mamma Mia! Stockholm section via the ABBAMAIL home page.

THE BLONDE IS ON SHOW

Mamma Mia! The blonde is on show

Sydney Daily Telegraph

February 16, 2005

SHE'S considered a modern Greta Garbo -- once known by every pop music fan in the world now famous as a recluse.

But Agnetha Fältskog, the blonde member of ABBA, stepped out of the shadows yesterday to reunite with the band for the first time in 23 years.

Still with her trademark smile, Fältskog joined Björn Ulvaeus, Benny Andersson and Anni-Frid Lyngstad for the Swedish premiere of the wildly successful musical Mamma Mia.

The show featuring ABBA's music has raked in more than $1 billion.

Once married to Björn, Agnetha has been out of the public eye since the band split in 1982 but defends her lack of appearances because she is "easily stressed".

She recently told Swedish TV she would "rather be an original than a bad copy".

"I'm the same person I've always been - nice, normal, down-to-earth - and easily stressed," she said.

ABBA sold more than 360 million albums in eight years at the top of the charts but dismiss getting back together.

"People want to remember us as we were -- youthful and energetic. Not four 60-somethings," Björn said.

Thanks to ABBAMAILer James O'Brien Sydney - Australia

SVENNE & LOTTA COMEBACK

From Aftonbladet

Svenne & Lotta's comeback in Melodifestivalen

One of the performances during the break for voting in Linköping on Saturday

Svenne & Lotta make a comeback in Melodifestivalen. On Saturday they perform in the semifinals in Linköping as one of the acts during the break for voting. It's been 30 years since the duo broke through with "Bang, en bumerang" ("Bang-A-Boomerang"). Now they're going to perform their hit again.

- Of course we're going to celebrate this. It'll be a modern, remixed version of the song with a great and energetic number, says the producer Magnus Gustafsson.

By Linda Hjertén

-------------------

For those who want to watch the internet broadcast of the show on Saturday, just go to www.svt.se at 8 PM Swedish time and look for the link to the Melodifestivalen section and there will be a link to click on for the live broadcast. Josefin Nilsson will be competing with a song.

Thanks to ABBAMAIL's Fan of the Year 2004 Claes Davidsson Orlando, Florida, USA

HISTORICAL RADIO SHOW TO BE BROADCAST

On February25, SR Minnen (who earlier broadcast two episodes from abba i kvadrat and ESC 1974) will broadcast the popular Swedish radio show "Sommar" with Michael B Tretow, recorded in 1986.

The times for broadcasts are February 25 (Friday); 09.00 am (8.00, swedish time) 2.00 pm 8.00 pm and February 26, 2.00am Sr minnen webb site: http://www.sr.se/minnen

Thanks to ABBAMAILer Malin Westerberg Halmstad, Sweden

February 15, 2005

DON'T MISS THOSE TV REPORTS!!!

Still a chance to catch reports and interviews from Swedish Television SVT from and about Mamma Mia! But hurry up, because other news are coming in and will soon push the Mamma Mia! reports away.

Rapport news report from the red carpet:
http://svt.se/svt/jsp/Crosslink.jsp?d=8834&a=132575

Click ” rapport 19.30 lördag” mid page
The Mamma Mia premiere report is about 10:30 min into the news broadcasting.


Aktuellt news report, slightly different from above with fan interview:
http://svt.se/svt/jsp/Crosslink.jsp?d=8277&a=129334

Click “Aktuellt 21 lördag” left hand side
The Mamma Mia premiere report is about 11:00 min into the news broadcasting.

Report from the premiere and interview with lead role Gunilla Backman:
http://svt.se/svt/jsp/Crosslink.jsp?d=7485

Click “Veckans program” right hand side. A screen will pop up where you can choose to click ”Se debatten” under the headline “Svensk premiär för ABBA-musikal”. The report and interview is about 5:40 min into the segment.

Thanks to ABBAMAILer Niklas Albinsson-Collander, Goteborg, Sweden

FRIDA'S SOLO ALBUMS TO BE RE-RELEASED

The solo albums Frida released between 1975 and 1984 to be re-issued with bonus tracks

During her years as a Polar Music recording artist, Frida released three solo albums. Although the albums have been available on CD before, they will now be re-released with digitally remastered sound and bonus tracks.

The Swedish-language Frida ensam ("Frida Alone"), produced by Benny Andersson, was originally issued in 1975. The new CD release will feature two bonus tracks that orginally appeared on a 1972 single: 'Man vill ju leva lite dessemellan' and 'Ska man skratta eller gråta'.

Frida's first English-language solo album was the Phil Collins-produced Something's Going On, released in 1982. The bonus tracks are the single edit of the international hit 'I Know There's Something Going On' and Frida's solo version of 'Here We'll Stay', originally issued as a 1983 single (the album version of the song is a duet with Phil Collins).

The third album in this reissue program is Shine, produced by Steve Lillywhite and originally released in 1984. The featured bonus tracks are 'That's Tough' - the B-side of the 'Shine' single - and the 12" mix of 'Shine'.

The three Frida CDs are presently scheduled for release in May 2005. More details will follow as soon as we have them.

And what about Agnetha? Yes, her solo albums will also be re-released with bonus tracks later in 2005. Watch this space...

Track listings for the Frida reissues:

FRIDA ENSAM
1. Fernando
2. Jag är mig själv nu
3. Som en sparv
4. Vill du låna en man
5. Liv på mars?
6. Syrtaki
7. Aldrig mej
8. Guld och gröna ängar
9. Ett liv i solen
10. Skulle de’ va’ skönt
11. Var är min clown

Bonus tracks:
12. Man vill ju leva lite dessemellan
13. Ska man skratta eller gråta

SOMETHING'S GOING ON
1. Tell Me It’s Over
2. I See Red
3. I Got Something
4. Strangers
5. To Turn The Stone
6. I Know There’s Something Going On
7. Threnody
8. Baby Don’t You Cry No More
9. The Way You Do
10. You Know What I Mean
11. Here We’ll Stay

Bonus tracks:
12. I Know There’s Something Going On (single edit)
13. Here We’ll Stay (solo version)

SHINE
1. Shine
2. One Little Lie
3. The Face
4. Twist In The Dark
5. Slowly
6. Heart Of The Country
7. Come To Me (I Am Woman)
8. Chemistry Tonight
9. Don’t Do It
10. Comfort Me

Bonus tracks:
11. That’s Tough
12. Shine (extended mix)

Thanks to ABBAMAILer Robert Verbeek, The Netherlands

MAMMA MIA! REVIEW FROM DAGENS NYHETER

Mamma Mia!" success in Sweden too!

The storyline is thin as a stick, but forget about that. The lyrics has a bit too many top list rhymes, but forget that too. Mamma Mia! is a winner.

The ABBA musical Mamma Mia!" has returned home to the creator's Sweden. And I'm gonna write this once more, it sure gonna be successful here too. But there are some things you should forget while sitting in the audience.

Forget that the storyline is thin as a stick, in spite of a story that would be enough for several family battles in spoken theatre. The young Sofie tries to find out who among three potential men who is her father by inviting them to her wedding on a Greek island. And it certainly does not become a "Father" in the time of the DNA or a painful mother/daughter fight, but more a talented way to spin the plot.

Do forget that the Swedish lyrics, translated by Niklas Strömstedt and Björn Ulvaeus, sometimes has a top hit rhyme too much. Do also forget that some spoken lyrics like "I think I've learned a bit about myself" demands an absolute hit in the bulls eye to not end up sounding completely embarrassing.

Don't worry, you will forget these things. Probably because the selection for Mamma Mia! must be one of the strongest song material that has ever reached a musical stage. Mostly the ABBA Gold collection give or take a few songs. And most of the 22 songs sounds perfectly fine in rhymed Swedish. "Jag är jag, du är du" ("Knowing me, knowing you") like a pure Swedish divorce track or "Tänk, det känns som vi" ("Take a chance on me") as a tongue-in-cheek duet.

It is the comical tilt that drives the performance along until the obvious "I do, I do, I do, I do, I do" ending in the church.

Here you'll find a sharp pictured threesome of dads with the correct National Bank employer Harry (Bengt Bauler), who plays amateurish on his old hippie guitar in "Tack för alla sånger" ("Thank you for the music"), the cosy, Norwegian wild life trapper Terje (Bill Hugg) and in between them Reuben Sallmander's more serious Sam.

"Mamma Mia!" does also contain something as unusual as four great female roles, and here is the real centre of the performance. Nina Lundsie as Sofie fills especially the singing parts with presence, but it's the middle aged threesome of women who wins the game.

Sussie Eriksson and Charlotte Strandberg enter the stage like some kind of musical Edvina and Patsy in Ab Fab and plays around with the originally so dull "Chiquitita", including bananas (what else). Charlotte Strandberg is also terrific in "Väntar inte mamma på dig" ("Does your mother know"), where she more or less sex off a couple of
young male puppies.

Most dimension is found in the mother portrait done by Gunilla Backman. Her Donna is the emotional centre of the performance, and it's in her desperate version of "Vinnaren tar allt" ("The Winner takes it all") you can feel the air of real depth. This far from the cool-ABBA renderings.

Perhaps a hometown success for her too?

By Sara Norling / To English by Linda Granqvist

Thanks to ABBAMAILer Linda Granqvist, Stockholm, SWEDEN

February 14, 2005

I WAS THERE! - DIRK'S REPORT

I am just home .. still dreaming that I made it ....

It was great meeting a lot of my fellow ABBAMAILers. I am not going to name names in case I forget someone ..

But Cliff and Stephen (and his partner) .. guys .. YOU ARE AWESOME !

I went up to Cliff at a certain moment (I think after Agnetha arrived) introducing myself .. kind of shy .. and then Stephen introduced himself to me and well I realized then that it seemed that it was NOT only me who didn't have a ticket to the show! I had been at the ticket office now for 3 days but I just couldn't get one.

We went in again asking for tickets but no luck ... Then again outside suddenly a man came up to tell us that they had tickets .. we were all happy but then it turned out to be only two tickets. Stephen and I went in and we managed to get two more tickets after begging and begging.

Then seeing the place where I was seated... four rows before Benny and Björn, Frida about 20 metres away ..and then Agnetha sitting just five metres from me! Incredible!

I went up to Agnetha, said how great she looked .. she gave me a smile .. (I think or was it a dream? I don't know anymore. Everything seemed so unreal!).

Then I thought "maybe I can get My Colouring Book signed" but by the time I went back there were too many people. I saw that security was coming up and I backed off. I didn't want to bother her anymore.

Then I just turned around and went to Benny and Björn and said hello ... and the most stupid I could say I said ..I started with saying thank you for ...and then I just stopped .. knowing what would follow .. My face went completely red. I changed what I was saying at the last minute to "thank you for everything!" Björn replied with a few words but I really can't remember it anymore.

I saw Agnetha all the time she was sitting on the right hand side of me. I don't recall much from the first half of the show but, after the break, I was watching Agnetha more and she really enjoyed it. By the end she was even singing along with "Dancing Queen"! She had a great evening, and you know I am happy for her that she was there.

I feel as if the pictures in Aftonbladet and Expressen are meant to show Agnetha as the media WANT to present her. I believe she actually really enjoyed the evening...

I am NOT unhappy that all four members didn't go on stage.

NO, I am not. I don't know why, but suddenly I understand it a little better - I can't explain how and why but I am just very very thankful that I was there at the same time as my 4 big idols. I feel very humble at the moment.

Maybe its good that they didn't appear on the stage because it would have taken all
attention away from the cast. And the cast and crew worked for months to bring the crowd the best possible show they could and make it a very special night.

No, I don't really love Mamma Mia! as a show. But I do I love the idea that ABBA's music still brings joy and pleasure to people all over the world.

After the show we hung around outside to find out where ABBAMAILer Linda Granqvist was holding her post-show get-together. But I felt so emotionally exhausted and all I wanted to do was get back to the hotel. I was acutely aware that I had to be awake at 6.30am to catch a flight back to Belgium. I guess I missed a great party and the opportunity of debriefing with my fellow fans...sigh. But, with everything that I had already experienced that night, I still had a great evening.

Thanks to ABBAMAILer Dirk Bracaval, Antwerpen, Belgium.

"STOCKHOLM CITY" REVIEW

Mamma Mia review in Stockholm City (Free paper)

Sparkling and powerful

Not even the hardest rock will be able to withstand being captivated by the successful musical Mamma Mia!, when it’s premiering. The staging by Paul Garrington, is swinging along into a joyful experience. He has got excellent material in the immortal songs by ABBA as well as in a multitalented and professional cast.

Catherine Johnson’s clever script helps conjuring up the tongue in cheek staging. Here’s an abundance of sharp one-liners, coloured by the translator Peter Dalle’s sharp and witty humour.

Niklas Strömstedt and Björn Ulvaeus have been working with the song lyrics. They flow fine and a lot of the lines are catchy. Not everything of course, for instance, the title “Säg OK eller nej” (Say OK or no) is not as smart as “The name of the game”.

In Mamma Mia! the songs have been knitted nicely into the story. Interestingly enough three strong middle-aged women are in the centre together with a young searching one.

We are on a Greek island, where Donna (Gunilla Backman) is running her tavern. She is stressed with the upcoming wedding party for her daughter Sofie (Nina Lundseie).

Sofie has three possible fathers. She invites them all in secrecy ­ this is made for comical intrigues.

The acting is generally good, even if some parts are a bit overdone. And the sort of correct ending, together with the great full moon in the backdrop might feel like a
sugary Walt Disney movie. But that is petty complaints, because the song and dance numbers are without comparison.

Not many eyes are dry when Backman reveals Donna’s old love wounds in “Vinnaren tar allt” (The winner takes it all). And when the sparkling Sussie Eriksson and Charlotte
Strandberg let lose the comic part of their characters as Donna's friends, people are crying out with laughter.

All in all Mamma Mia! is a sparkling and extremely strong staging.

Where : Cirkus
With among others: Gunilla Backman, Nina Lundseie, Sussie Eriksson, Charlotte Strandberg, Bengt Bauler, Bill Hugg, Reuben Salmander
Music and Lyrics : Benny Andersson & Björn Ulvaeus
Direction: Paul Garrington
Staging: Mark Thompson
Light: Howard Harrison

By Birgitta Haglund / to English by Linda Granqvist

Thanks to ABBAMAILer Linda Granqvist, Stockholm, SWEDEN

METRO ARTICLE

From the free paper Metro

The whole of ABBA went to see Mamma Mia

All the four members of ABBA were there when Mamma Mia! had its Swedish premiere. This was something a lot of people believed never would happen.

The red carpet was rolled out. By the fencing, autograph hunters from all over Europe was waiting. When Björn Ulvaeus and Benny Andersson arrived to Cirkus in Stockholm
a minor chaos broke out. And when the normally reclusive Agnetha Fältskog entered and took her seat, half the audience rose.

Some people might call it a sensation, taking in mind that ABBA has not performed in public since they disbanded in 1982.

Even if the music has its origin in Sweden, it took six years before the ABBA musical returned home.

- Of course it feels great that the musical finally has come home, Björn Ulvaeus said after the show.

If the audience at Cirkus this Saturday has anything to say in the matter, this was not a day too soon. The premiere was one great bliss where people were clapping
their hands and sang along to songs like “Super Trouper”, “Väntar inte mamma på dig” (Does your mother know) and “Ge mig ge mig” (Gimme Gimme Gimme). People seemed unbothered that the lyrics have been translated into Swedish.

Björn Ulvaeus has his own idea about the ambience:

- There were a lot of visitors, and they might’ve added to the hysteria.

By Malin Dahlberg / to English by Linda Granqvist

Thanks to ABBAMAILer Linda Granqvist, Stockholm, SWEDEN

SUPERTROUPERS REUNITE FOR ABBA MUSICAL

Reclusive Agnetha joins Anni-Frid, Benny and Björn for the first time in public for 23 years at the Swedish premiere of Mamma Mia! Matt Born reports

She came. She smiled. She waved. And then she left without saying anything.

But the adoring Abba fans camped outside Stockholm's Cirkus theatre didn't care. The bare fact that Agnetha - "the blonde one" - had turned up for the Swedish premiere of Mamma Mia!, the hit musical based on the band's songs, together with Anni-Frid, Benny and Björn, was reward enough.

The opening on Saturday night was only the second time in 23 years that the quartet who put skin-tight Spandex jumpsuits on the musical map have been in the same room together. And the first time they have done so publicly.

"It's like seeing the Beatles reforming," said one fan excitedly. "No, it's bigger than that," corrected another.

"I meant it's like seeing the Beatles being reformed even though two of them are dead," said the first. Indeed to Abba fans, and Swedes, just seeing Agnetha Faltskog in public is tantamount to a resurrection.

The comparison is not as far-fetched as it might seem. Agnetha, who was married to Björn Ulvaeus, has been a virtual recluse since the band split up in 1982 amid acrimony and divorce. In Sweden, she is known as "Garbo the second".

Hopes that she would come to London last year for Mamma Mia's fifth anniversary - an event that brought the city centre to a standstill - were dashed when she failed to appear, citing a long-standing fear of flying.

Still, if anything was going to get her out of the house, the local production of Mamma Mia! was it.

The show, created by Judy Craymer and written by Catherine Johnson, tells the story of a single mother and her daughter on a Greek Island through the hits written by Benny Andersson and Björn. It is the most successful musical in the world and has racked up more than $1 billion in box office takings around the globe.

It is now playing in more than 14 locations, including Las Vegas, Japan and South Korea, with Milan later this year. In all, more than 20 million people have now seen the show.

Nevertheless, for Benny and Björn, Stockholm is special. The pair, who oversee each new production, have been particularly hands-on this time, arranging and fine tuning the score to recreate the Abba sound. They even hired their former Abba bassist to play in the pit orchestra.

"We didn't want anyone else to do it," Benny said. "We feel like we're doing this as a service to the Swedish people. Thousands of them have travelled to London or New York to see the show. Now it is here for them at home."

Björn admitted that they had been under "tremendous pressure" to bring Mamma Mia! to Sweden. "But I felt strange revisiting lyrics I wrote 25 years ago," said the former guitarist, who turns 60 next month. "Emotions change. It was tempting to rewrite them. But I couldn't."

The effort appears to have paid off. The Stockholm show is already sold out until Christmas. And, speaking moments after the premiere, Björn said he was "overwhelmed" by the crowd's reaction.

During their eight years together, Abba sold more than 360 million albums, including nine British number-one singles, becoming Sweden's second biggest export after Volvo cars. Such is their enduring appeal that they still shift more than 3,500 CDs a day.

Yet their fellow countrymen take the success in their stride. "The Swedes are much more down to earth," Björn said. "There is none of the hysteria we get elsewhere."

So the reaction of the Cirkus audience was "phenomenal". "They were clapping every song." By the encores - Dancing Queen and Waterloo, the song with which they won the Eurovision Song Contest 31 years ago - the black-tie audience of Sweden's great and good were on their feet, arms aloft, dancing and stamping their feet.

Even Agnetha, seeing the show for the first time, was on her feet bopping along.

So could there be a reunion? A few years ago, Abba were offered $1 billion to reform but turned it down. Björn insists nothing has happened to change their minds. "People want to remember us as we were - youthful and energetic. Not four sixtysomethings."

He still sees Agnetha at family occasions (they have two children, "and now a grandchild together"). And Benny and Björn are working together on an English version of their musical Kristina.

But even a 10-minute standing ovation failed to persuade Anni-Frid - who, after her divorce from Benny, married a German prince - and Agnetha to join their former husbands on stage for one last curtain call. Let alone a song.

Not that that bothered Tara Newell or Sarah McSharry too much. The two teenagers from Lutterworth in Leicestershire had flown to Stockholm specially for the show and had camped outside the theatre for 12 hours in the snow,

"It's too much to ask for them to sing together," said 16-year-old Tara. "It's enough just to see them alive. Together. In the flesh."

"They are just so great," said Sarah, 17. "The music, the stories, the personalities. There's a song for every mood."

So, as they say in Sweden: "Tack för alla sånger." Thank you for the music.

UK Telegraph Newspaper

I WAS THERE! LINDA'S REPORT

ABBAMAILer Linda Granqvist was there on Saturday night - here is her story...

----------------------

Mamma Mia in Stockholm

Yes, she was there! I guess you all know who I mean, but if we happen to have a new lurker from the planet Vulcan on board, I'll say it again:

Agnetha was there!

To take it all from the start – I was my usual cynical self, not expecting anything more than the usual beards when I went to the Cirkus theatre together with Anita and Peter. We arrived around a quarter to five and there was already a huge crowd in front of the red carpet. Fans as well as journalists and curious onlookers. And a UK TV team! There were people who had waited there in the cold weather for hours. At least you couldn't refer to them as *sweaty* and obsessed I guess.

We spotted some familiar faces of other fans, and chatted a bit, I learned that Benny was already inside the building for instance. Then everybody was going Björn, Björn, Björn, and me, being vertically challenged, saw nothing. Oh – never mind, I spotted Frida instead who was writing some autographs! Too bad I hadn't had the chance to put new batteries in my camera, so no pic of the Princess. Anyhow – I do have my memory. Then Frida went down the red carpet, and of course she created tons of more hubbub than the B.

Then it calmed down a bit, some minor Swedish celebs arrived, like the model Emma Sjöberg, the event arranger Micael Bindefeldt, the writer Alexander Skanze and some Olympic athletes.

Then we heard the guards starting to buzz about something and of course it triggered some interest. Meanwhile I had managed to get a relatively good position. And I heard someone scream "Victoria!" Oh – It's the Crown Princess arriving, I thought. Interesting of course, but what to come was even better.

It was Agnetha! Like – UNBELIEVABLE! So I was glad I had held that position. Camera up, and first I thought I was getting lucky, had a rather good view. But the moment I squeezed the trigger some CUNT pushed me from the side and the picture became all blurry. And then the moment was gone. She turned and waved but I hadn't any reasonable angle. But – anyhow – as well as with Frida, I have the memory!

Then there were a few more minor celebs arriving, but I couldn't care less. But I did spot Karin and Anders Glenmark. And inside I got a picture of the singer Eva Dahlgren and her wife the designer Efva Attling. But most of the things I could talk with other fans about was that all four were in the building and about the expectations that naturally were triggering.

When handing in my coat I told my friend Anders that if all four are gonna go on stage I am sure gonna pee in my panties! The same talk went on while entering the audience's area and finding my seat. An excellent one in row four and quite in the middle. Talked with ABBAMAILer Sara Russell amongst others on the way in. And then, after taking my seat and chatting a bit with ABBAMAILer Robin Andersson and Christer we spotted Frida and, later on, Agnetha. Too bad they were both too far from my camera. But Robin got amazing pictures!

And what was I expecting of the show then?

Certainly some nice entertainment, because that's what Mamma Mia! is about. It's not dramatic as Krstina från Duvemåla or romantic like Chess, it's more about singing and dancing and ABBA's music in a new surrounding. I was mostly excited about hearing the songs in my own language. How they would work, how they would fit in with the story line and so on.

I haven't bothered that much with Mamma Mia! before, I've seen it once in London and that's it. Not loving it like some, neither hating it like others. A nice experience, a great way to spend an evening, but nothing more. In line with a preselection of the ESC, you see it once and that's fine. But of course I wanted to enjoy it in my own language! That felt new and refreshing.

And what did I get?

A great cast. Mostly young and unknown stars, not the celebs like Helen Sjöholm, Tommy Körberg and their likes. And I loved that! Loved so see new faces and energetic new people who could be Mamma Mia! persons in my eyes. And not has-been Kristinas or has-been Chessies ;-)

Gunilla Backman was doing a great Donna and her interactions with Nina Lundseie's Sofie and Reuben Backmann's Sam were great, even though being a bit too over-dramatic sometimes. And the dance acts were sparkling. Ex-One More Time singer Therese Löf was in the ensemble too. A nice surprise.

The ensemble were exchanging a lot of positive energy with the audience, and it was amazing to be up close and even able to get eye contact sometimes. Except for a few premiere lapses like drops in the vocal sound, and a spotlight going slightly in the wrong direction once, everything went flawlessly. This show is gonna be great and I really hope it's gonna run for a long time!

Working song lyrics.

The translator Niclas Strömstedt has done an excellent job, I must give him five stars in the book (As well as being the only one really available for autographs). He has made lyrics that both fit well into the story line and as stand alone songs. And I bet that's not an easy job.

Some songs have kept their international titles, like SOS, Super Trouper, Chiquitita.

But most of them had Swedish titles:
* En av oss (One of us) – literal translation of the title
* Ge mig Ge mig Ge mig! (GGG – literal transl.)
* Han är Han är (He is He is = Honey Honey)
* I tryggt förvar hos mig (Safely kept with me = Lay all your love on me)
* Jag har en dröm (I have a dream – literal transl.)
* Jag vill Jag vill Jag vill Jag vill Jag vill (I want * 5 = I do * 5)
* Jag är jag, du är du (I am I, you are you = Knowing me Knowing you)
* Kan man ha en solkatt i en bur (Can you keep a sun reflection caged? = Slipping through my fingers)
* Sista sommar'n (Last summer = Our last summer)
* Säg OK eller nej (Say OK or no = The name of the game)
* Tack för alla sånger (Thanks for all the songs = Thank you for the music)
* Tänk, det känns som vi (Imagine, it feels like us = Take a chance on me)
* Vinnaren tar allt (The winner takes it all – literal transl)
* Väntar inte mamma på dig (Isn't your mother waiting for you – Does your mother know)

And thus – great new versions of these well known songs. I really hope to get the chance to dance to at least one or two of them at the ABBF Day in Roosendaal!

A great and glittery stage show of a kind you seldom get here in Sweden, except for in the "musical light/Cabaret" genre termed Krogshow.

Some teary eyes, shivers and most of all laughter.

And what changes had been made?

Well, the early information leaking out was that there were going to be a lot of changes. For instance the Greek Island was going to be turned in to the Swedish island Gotland, and there were also talk about dropping a few songs and adding others. Ring Ring was mentioned among the new ones. And Donna was once supposed to be renamed into Hanna or Anna (and she was still Anna in some places in the printed ensemble information).

But in the end the Greek island remained Greek, the songs were the same and Donna was still Donna. Guess they couldn't come up with a new name for the Dynamos. (That works so well with Donna) OK, they could have made her into Dana, that's a bit more common in Swedish, but at the same time – why bother? Donna works fine.

They had changed some minor parts, like names on places and people. Bill the writer had become Terje for instance, and was Norwegian. That was cool! And was Harry gay in the other stagings? I don't remember him being that in England for instance, but here he was referring once to his partner Rolf.

After the show the ensemble was on stage again and did Waterloo in Swedish and then there were flowers delivered and the Bs on stage. But that was very, very brief, and those who had expected the As too were disappointed of course. There weren't even a second curtain call! Kinda surprising! I could hear some grumbling about it when exiting the theatre, but I didn't really care. I had a great night and a great show, that was what mattered.

Then someone (Believe it was ABBAMAILer Sandra K or Ice) made the point that if Agnetha & Anni-Frid had come on stage too, they would have taken away all the attention from the real stars of the night – the Mamma Mia! actors!

We went spying for photo and autograph opportunities, but these did not happen, and soon we were on the bus for the after-drinkies at Gökboet (same place as the after event on the Chess premiere 3 years ago).

And all in all – I got a great show and had a fab night and was more than pleased. And photos will be coming to a website near you soon.

CLIFF UPLOADS HIS PICTURES

My few pictures from the Mamma Mia! premiere, such as they are, are uploaded to http://www.pixagogo.com/6112915267

As well as the pics of Björn, Agnetha (more or less) and Görel there's also some pics from last night's after-show dinner and some nifty pictures of ABBAMAILer Dora and I in the Ice Gallery doing impressions of Frida in Knowing Me Knowing You.

Why, why did we do this?

Because we're sad, that's why :-p

Thanks to ABBAMAILer Cliff Docherty, Wembley, UK

AFTONBLADET REVIEW OF MAMMA MIA!

Sure it works with Swedish lyrics

The musical has already been a success throughout the world.

And "Mamma Mia" works just as good in Swedish. Good song lyrics, even better dialogue. And a big breakthrough for Gunilla Backman, who gives the role a depth that doesn't exist in other productions.

The story is banal but in some kind of genius way. Since many years, Swedish Donna (Gunilla Backman) runs a tavern on a Greek island. Now her daughter (Nina Lundseie) is getting married. After having read her mom's diary on the sly, she realizes that the promiscuous Donna dated three men (Reuben Sallmander, Bill Hugg, Bengt Bauler) at the same time. One of them is her dad. The daughter invites them all to the wedding. And her mom's best friends are also coming. Full figured Karin (Sussie Eriksson) who never had any men, vulgar man-eater Tanja (Charlott Strandberg). The relationship carousel can start spinning...

Niklas Strömstedt, who has translated the lyrics, has maybe "borrowed" one or two stanzas from the German translation. But most of all, the lyrics fit the story very well.

Even better is Peter Dalle's dialog: wittier, more fun and dirtier than the original.

The general impression impresses

On stage Gunilla Backman impresses most of all. As an excellent singer and expressive actress, she gives Donna a hint of sadness. You feel for her.

Charlott Strandberg, Sussie Eriksson and Bill Hugg have the most rewarding roles and skillfully picks as many comical points as possible out of them.

I saw the London-production the other week. Then it's unavoidable to come up with minor complaints, for example the tempo lagged behind sometimes and that all big ensemble numbers still aren't perfect.

But the general impression is that it's very entertaining. And no matter what language it's performed in, it's hard to find a musical with better songs.

Jan-Olov Andersson

+ + + + (out of 5) Mamma Mia Musical at Cirkus, Stockholm. Music: Benny Andersson, Björn Ulvaeus. Manuscript: Catherine Johnson. Director: Phyllida Lloyd.

+ + Honey, honey Nina Lundseie seem nervous in the opening number. Her voice sometimes drown in the music.

+ + + + Money, money, money The musical's star Gunilla Backman makes her entrance. Engaging singing, backed by a great male choir.

+ + + Tack för alla sånger (Thank you for the music) Bengt Bauler, Bill Hugg and Reuben Sallmander make their entrance, Bauler and Nina in a nice duet.

+ + + Mamma mia Gunilla, backed by the choir, sings very self-assuredly, in the number where she for the first time meet her former lovers.

+ + + Chiquitita Sussie and Charlott in a powerful duet, the song just keeps growing, especially when Gunilla comes in towards the end.

+ + + + Dancing queen Sussie, Charlott and Gunilla's role figures play stars and sing with hairdryers, combs and other things as microphones and accessories. Strong singing and fun. The highlight of the evening!

+ + + + En av oss (One of us) Gunilla sings in an emotional and a bit sad way about what went wrong with her love.

+ + + + Ge mig! Ge mig! Ge mig! (Gimme! Gimme! Gimme!) The choir sings, the whole ensemble dances. Interrupted now and then by Nina "interrogating" her possible dads.

+ + + + Säg ok eller nej (The name of the game) Nina and Bill in a duet about eventual fatherhood. Her best effort singing.

+ + + Voulez-vous Powerful singing by the choir. Reuben and Nina sort out their mutual relationships.

+ + + + Under attack Strong opening number after intermission. Great choreography with frogmen and good singing by Nina, in a nightmare scene.

+ + + + S.O.S. Very strong duet with Gunilla and Reuben.

+ + + + Väntar inte mamma på dig (Does your mother know) Charlott's big number. Great and fun choreography and provocative dancing when she explain certain things for her young lover (Martin Redhe Nord).

+ + + + Super trouper Charlott, Sussie and Gunilla play artists wearing horrible clothes which ABBA could have worn in the '70s. One of the best numbers.

+ + + + I tryggt förvar hos mig (Lay all your love on me) The future husband -Niklas Riesbeck- proclaims his love for his wife to be. Powerful singing by him, one of the best numbers.

+ + Jag är jag, du är du (Knowing me, knowing you) My favorite ABBA song. But Reuben performs it a bit monotonic.

+ + + Sista sommarn (Our last summer) Bengt sings emotionally about what was twenty years earlier, nicely backed up by Gunilla in the chorus.

+ + Kan man ha en solkatt i en bur (Slipping through my fingers) A trifle as a song. Gunilla sings it deliberately absent-minded while she's fixing her daughter's hair and wedding dress.

+ + + + Vinnaren tar allt (The winner takes it all) Gunilla explain the mysteries of love for Reuben in a strong song. Takes off enormously towards the end.

+ + + + Tänk, att det känns som vi (Take a chance on me) Excellent love pirouette where Sussie and Bill proclaim their love for each other. Good singing, fun choreography.

+ + + Jag vill, Jag vill, Jag vill, Jag vill, Jag vill (I do, I do, I do, I do, I do) Great teamwork between Reuben and Gunilla, the whole ensemble participates in the background.

+ + + Jag har en dröm (I have a dream) Nina sings with a proud voice - but the song is one of ABBA's most sickly-sweet.

+ + + + Dancing queen Sussie, Charlott and Gunilla gives it all in the first encore.

+ + + Waterloo The whole ensemble in a song that's a bit worn out.

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Thanks to Super Fan, ABBAMAILer Claes Davidson Orlando, Florida, USA

MORE PHOTOS OF MAMMA MIA! PREMIERE

Expressen has some great shots from the Mamma Mia! premiere and the celebrities that attended:









Thanks to ABBAMAIL's Fan of the Year, Claes Davidsson, Orlando, Florida

I WAS THERE! STEPHEN'S REPORT

I'm in central station Stockholm at the moment in 9 inches of snow and trying to recover from last night's enrertainment.

Görel Hanser is a superstar. I saw her in Cirkus and asked a women at the ticket office if I could have a photo opportunity with her. Within 5 mins Cliff was taking the so called picture.

There were 2 reasons for this as I genuinely wanted the picture but i also wanted tickets. She said she would try. So after all the arivals as Cliff has so adeptly described. Yes, grown men crying including myself and fellow ABBAMAILer Dirk.

A security person asked Dirk and myself to go to the ticket office. After a little banter we had 4 tickets 2 for us and one for Gordon and Cliff!!

My moment in the show was trying to find my seat and I walked straight into Frida who kindly allowed me to take her picture and afterwards I shook her hand and thanked her (More tears!) Agnetha and Frida both in my sights throught the show I watched both of them singing along to Dancing Queen at the encore!! A more detailed account will follow when I get home next Sunday!!

Several newspapers are covering this story I am sure you can see them on line!

Cliff I love you, you are lovely company. A big thanks also to ABBAMAILer Linda Granquist

Thanks to ABBAMAILer Stephen McLaughlin, Darlington, United Kingdom

CLIFF'S REPORT: I WAS THERE!

Well folks I've just landed back in the UK, in just about every sense of the word.

I still can't believe what we witnessed last night. First of all we saw Benny run in and then out and then back in again, then Björn turned up, then shrieks as Frida arrived looking totally gorgeous and friendly as ever and then, I couldn’t believe my ears, someone cried out 'Agnetha!' and the place went insane. Thankfully the walk from the car to the door only took a few seconds so it was a very brief moment of insanity. I'd have hated to go through that myself but she was smiling at people as she went past. She looked dazzling.

All around me people's mouths were hanging open, people were crying and grown men trembling from head to foot. I was with ABBAMAILers Sara, Ice, Stephen, Dirk and a few others and we just stared in utter disbelief. The four former ABBA people had just walked past us, just feet away. The few pictures I took are utter crap but I do know of several people who between them got some nice shots. For what it's worth I'll upload them later and post the link. There are 2 pics, one of Bjorn giving a nice smile
and one of the back of Agnetha who appears to have her bodyguard's hand on her butt....

Now, and I have to say a special thank you here, I was among a few ABBAMAILers who hadn't been able to get tickets but had come along for the experience. After a couple of attempts Stephen and Dirk managed to secure a couple of extra tickets and next thing I knew I was in the theatre full of anticipation. Those guys are angels :) In fact I think in the end all of us without managed to get within.

Inside I was sat about ten rows back from Benny and Björn and could also clearly see where Agnetha was sitting below and to the side of me. Now, those photos of Agnetha look disturbing I must say, and it's a shame people didn't leave her alone, but she must have known this sort of thing would happen. As it is, the photos give the impression of crowds surging towards her and it didn't actually happen like that, at least to that extent.

What happened was that Agnetha was in a sort of boxed in area to the side, surrounded by friends and with security a little further away. There was a crowd, certainly, but a very small one and it was dispersed quite effectively. Someone said to me last night they'd been nearby and heard Agnetha say something like 'the show's over there, not here'.

It would be unfortunate to judge the whole evening by those odd couple of pictures
because when the show started she was clearly enjoying herself, singing and moving around to Dancing Queen and really, at one point, having it large as we say here. The lady enjoyed herself, no question about that, and I'm sure it must bring back good memories as well as the unfortunate incidents on arrival and when she got inside. O couldn't see Frida but she always seems to enjoy herself and I gather she was sitting to left on the opposite side of the auditorium to Agnetha.

Benny was very approachable and didn't seem to have the grumps for once. I had to squeeze past to get to the aisle and go up to my seat. I can't believe I actually said 'scuse me Benny, and hopped past. I'd have said hello but other people were doing it and there was a bit of handshaking going on. And I have to say, I've never really had the need to say hello or get autographs, so I've never bothered with any of that. It works for other people but not for me. I'm just as happy to sit there and enjoy the atmosphere. I'm probably just getting a bit old......

Anyway, a good show. By far the best vocal performances I've ever heard and it was interesting to hear the songs in Swedish. SOS and Honey Honey had different lyrics to the original Swedish versions but the Waterloo finale was the original melodifestivalen version. Interestingly a couple of the finale songs were in English as well.

Afterwards we all went off for dinner at the place ABBAMAILer Linda had organized and I think we must have asked for a table for 25 or thereabouts - quite a crowd! Thanks for organizing it Linda. It was great just being with everyone.

Views were mixed about the e